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SHADOW OF THE TITANIC

THE EXTRAORDINARY STORIES OF THOSE WHO SURVIVED

Disasters change people. Wilson counts the ways, often effectively and affectingly.

A biographer joins others writers swimming in the centennial vortex of the Titanic, which sank on Apr. 14, 1912.

Wilson (Harold Robbins: The Man Who Invented Sex, 2007, etc.) begins with the screams of the dying and ends with the sigh of the last survivor, Millvina Dean (just three months old on the night to remember), who died at 97 in 2009. In between he tells the stories of some of the 705 survivors—from the well known (like White Star Line managing director Bruce Ismay) to those unknown, except to Titanic scholars. Ismay’s controversial story, told more fully in Frances Wilson’s How to Survive the Titanic (2011), sits in the middle of the text, surrounded by those who, for the most part, survived in more conventional, socially acceptable ways: They were women, children, necessary crew members—or just plain lucky. Among the latter: teenager Jack Thayer, who leaped from the sinking vessel and somehow found a rescue craft, went on to write a memoir but took his own life in 1945. Wilson tells some other survivors’ stories in considerable detail, including that of Madeleine Force Astor, whose wealthy husband died that night; of some honeymooners; of Lady Duff Gordon, whose co-survivors in a virtually empty lifeboat declined the chance to pick up others in the icy water; of silent-film star Dorothy Gibson, featured in the first movie based on the disaster, Saved from the Titanic, which appeared just four weeks afterward. The author has kind words for Walter Lord, whose 1955 A Night to Remember started a second wave of interest. Wilson’s storytelling skills are up to the task, but his psychological ones sometimes send him off into the land of stretched analogies—as when he observes that Lady Duff’s stained kimono represents her stained character.

Disasters change people. Wilson counts the ways, often effectively and affectingly.

Pub Date: March 6, 2012

ISBN: 978-1-4516-7156-8

Page Count: 416

Publisher: Atria

Review Posted Online: Dec. 27, 2011

Kirkus Reviews Issue: Jan. 15, 2012

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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