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SHADOW OF THE TITANIC

THE EXTRAORDINARY STORIES OF THOSE WHO SURVIVED

Disasters change people. Wilson counts the ways, often effectively and affectingly.

A biographer joins others writers swimming in the centennial vortex of the Titanic, which sank on Apr. 14, 1912.

Wilson (Harold Robbins: The Man Who Invented Sex, 2007, etc.) begins with the screams of the dying and ends with the sigh of the last survivor, Millvina Dean (just three months old on the night to remember), who died at 97 in 2009. In between he tells the stories of some of the 705 survivors—from the well known (like White Star Line managing director Bruce Ismay) to those unknown, except to Titanic scholars. Ismay’s controversial story, told more fully in Frances Wilson’s How to Survive the Titanic (2011), sits in the middle of the text, surrounded by those who, for the most part, survived in more conventional, socially acceptable ways: They were women, children, necessary crew members—or just plain lucky. Among the latter: teenager Jack Thayer, who leaped from the sinking vessel and somehow found a rescue craft, went on to write a memoir but took his own life in 1945. Wilson tells some other survivors’ stories in considerable detail, including that of Madeleine Force Astor, whose wealthy husband died that night; of some honeymooners; of Lady Duff Gordon, whose co-survivors in a virtually empty lifeboat declined the chance to pick up others in the icy water; of silent-film star Dorothy Gibson, featured in the first movie based on the disaster, Saved from the Titanic, which appeared just four weeks afterward. The author has kind words for Walter Lord, whose 1955 A Night to Remember started a second wave of interest. Wilson’s storytelling skills are up to the task, but his psychological ones sometimes send him off into the land of stretched analogies—as when he observes that Lady Duff’s stained kimono represents her stained character.

Disasters change people. Wilson counts the ways, often effectively and affectingly.

Pub Date: March 6, 2012

ISBN: 978-1-4516-7156-8

Page Count: 416

Publisher: Atria

Review Posted Online: Dec. 27, 2011

Kirkus Reviews Issue: Jan. 15, 2012

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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