A superb work of Soviet-era Russian literature in a welcome, well-annotated new translation.
A splendidly subversive tale of the Russian Revolution and civil war from the great laureate of the working class.
It’s astounding that Stalin, after reading Platonov and scrawling “Bastard” on one page, allowed him to escape the Gulag. Platonov’s town of Chevengur slumbers on Russia’s high steppes, where crops fail and peasants leave their farms to seek work in the cities and mines, while a few holdovers resort to “eating raw grass, clay, and bark.” Into this region, ripe for revolution, is born the Christlike Sasha Dvanov, whose father has committed suicide just to see what the afterlife is like. God appears in Platonov’s vivid novel; so does Lenin, and so does a revolutionary Don Quixote who worships the late Bolshevik icon Rosa Luxemburg, on whose behalf he swears vengeance for her assassination. This Kopionkin, whose name means “spear,” is a man of action, while Sasha speaks of big dreams: “Cultured plants will make the earth brighter and more clearly visible from other planets,” he instructs a commissar named, yes, Fyodor Dostoevsky. “And then, the circulation of moisture will increase. The sky will become bluer and more transparent!” Communism isn’t born on the land quite so seamlessly. Instead, civil war breaks out, Kopionkin riding out to meet the enemy on a Rocinante named “Strength of the Proletariat,” a horse that, he growls, has “more revolutionary consciousness than any of you.” People starve, careful plans disintegrate, Bolshevik leaders admit to never having read Marx, and the masses falter: “The communism of Chevengur was defenseless during these dark steppe hours, since people had temporarily curtailed their convictions, allowing the power of sleep to heal the exhaustion occasioned by their inner life of the previous day.” All are all too human in the face of this strange new ideology, which, Platonov daringly makes clear, is as much religious as political.
A superb work of Soviet-era Russian literature in a welcome, well-annotated new translation.Pub Date: Nov. 7, 2023
ISBN: 9781681377681
Page Count: 640
Publisher: NYRB Classics
Review Posted Online: Sept. 9, 2023
Kirkus Reviews Issue: Oct. 1, 2023
BOOK REVIEW
Have tissues ready as you read this. A small package will do.
A love story about a life of second chances.
In Nassau, in the Bahamas, casino detective Vincent LaPorta grills Alfie Logan, who’d come up a winner three times in a row at the roulette table and walked away with $2 million. “How did you do it?” asks the detective. Alfie calmly denies cheating. You wired all the money to a Gianna Rule, LaPorta says. Why? To explain, Alfie produces a composition book with the words “For the Boss, to Be Read Upon My Death” written on the cover. Read this for answers, Alfie suggests, calling it a love story. His mother had passed along to him a strange trait: He can say “Twice!” and go back to a specific time and place to have a do-over. But it only works once for any particular moment, and then he must live with the new consequences. He can only do this for himself and can’t prevent anyone from dying. Alfie regularly uses his power—failing to impress a girl the first time, he finds out more about her, goes back in time, and presto! She likes him. The premise is of course not credible—LaPorta doesn’t buy it either—but it’s intriguing. Most people would probably love to go back and unsay something. The story’s focus is on Alfie’s love for Gianna and whether it’s requited, unrequited, or both. In any case, he’s obsessed with her. He’s a good man, though, an intelligent person with ordinary human failings and a solid moral compass. Albom writes in a warm, easy style that transports the reader to a world of second chances and what-ifs, where spirituality lies close to the surface but never intrudes on the story. Though a cynic will call it sappy, anyone who is sick to their core from the daily news will enjoy this escape from reality.
Have tissues ready as you read this. A small package will do.Pub Date: Oct. 7, 2025
ISBN: 9780062406682
Page Count: 320
Publisher: Harper/HarperCollins
Review Posted Online: July 18, 2025
Kirkus Reviews Issue: Aug. 15, 2025
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
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