A smoldering, altogether impressive debut that probes the social and emotional strains on military families in a fresh and...
Scintillating marital drama set at a nuclear testing station in the late 1950s.
Paul Collier is an enlisted man who grew up poor and gambles that a new career as a nuclear operator will pay off and be worth uprooting his family from the West Coast to Idaho; he hardly cares if the experimental reactor’s success means American missiles will be able to “hit pay dirt…if the Soviets did anything stupid”—just one of the sore points between him and his wife, Natalie, a California girl whose outspokenness and nonconformity captured him when they were dating but in his current position make him uneasy. Her husband's soldierly reticence about his colleagues' behavior on and off the test site backfires and drives Nat into a more-than-confiding friendship with a local cowboy named Esrom. Readers are also treated to the hilarious musings of Jeannie Richards—the wife of Paul’s new boss, Mitch; her job is to keep her scurrilous silver-haired spouse from botching his retirement payout. Williams keeps the narrative interest percolating with great period details and by allowing her characters' thoughts and emotions full expression—Jeannie lays out battle dress before a dinner welcoming her husband’s new man (“a bra that would catapult her little ladies upward like rocket boosters”), but Mitch himself keeps undermining her Borgia-esque ambitions. Paul’s buttoned-up personality frustrates the hell out of Nat, but her daredevil nature, even as a mother of young children, confounds him more: "He'd had to sit by and watch strangers cheer her on for something he'd not wanted her to do, as if their approval was more important than his concern.” Meantime, plunked alongside potato fields and cattle ranches, other reactors (human and atomic) threaten to blow their stacks. Spoiler alert: a major mishap is all but promised in the prologue, and the afterword describing the nation's only fatal accident at a reactor will send some readers to look up Idaho’s role in American nuclear history.
A smoldering, altogether impressive debut that probes the social and emotional strains on military families in a fresh and insightful way.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-9774-3
Page Count: 400
Publisher: Random House
Review Posted Online: Nov. 9, 2015
Kirkus Reviews Issue: Dec. 1, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
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