Linklater cloaks a valuable history lesson within a dark, dramatic story.
The assassination of the British prime minister on the eve of the War of 1812 spirals gradually into a tale of pernicious political intrigue.
In this account of Spencer Perceval’s murder in the House of Commons on May 11, 1812, by the seemingly lone gunman John Bellingham, Linklater (An Artist in Treason: The Extraordinary Double Life of General James Wilkinson, 2009, etc.) bides his time adding key details that amplify the story from one man’s private injury to a nation’s sense of economic outrage. Bellingham started out as a Liverpool trader whose work lured him to Russia in 1804 to import a cargo of timber and iron; however, a snafu resulted in his arrest on debt charges, the result of commercial blackmail by a former partner. Repeated demands to British officials for justice came to naught, and over the next seven years the injury rankled at Bellingham, overtaking all aspects of his life. As the tale widens, Perceval is portrayed as an ambitious Evangelical, nobly born but penniless until marrying well and becoming a driven barrister. Embracing William Wilberforce’s attempts to ban the slave trade, Perceval became prime minister in 1809. His determination to choke the illegal slave trade was essentially destroying international commerce, especially for Liverpool merchants and those who traded with them—namely, the American slavers. The plot thickens as Linklater follows the money: Who was financing the bankrupt Bellingham while he left his wife back in Liverpool supporting the family at her dressmaking business and went to London to plot and carry out the shooting of Perceval? The author creates a challenging mystery requiring some acquaintance with the historical period.
Linklater cloaks a valuable history lesson within a dark, dramatic story.Pub Date: May 8, 2012
ISBN: 978-0-8027-7998-4
Page Count: 400
Publisher: Walker
Review Posted Online: Feb. 19, 2012
Kirkus Reviews Issue: March 1, 2012
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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