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DIRTBAG QUEEN

A matriarch’s idiosyncratic life captured and besainted through a succession of hilarious memories.

A doting son commemorates the life and legacy of his eccentric mother.

Playwright and performer Corren’s memory of his beloved mother, who died in late 2021 at 84, was immortalized by a pithy, comedic obituary that became a national social media sensation. His family memoir flamboyantly elaborates on her eventful life in Fayetteville, North Carolina, as a “plus-sized Jewish lady redneck” named Renay, mother to a kooky Southern brood. The author writes of being the youngest of six, exiled every summer throughout his childhood to his grandparents’ Miami Beach home to entertain them with his celebrity impersonations. Corren establishes himself early on as an uproarious raconteur, having coined pet names for his siblings, according to their personalities, and sharing endless anecdotes about their misadventures getting backyard haircuts, their work in tandem with their mother at the local bowling alley, the family’s time living in Japan, and their house evictions during sweltering Fayetteville summers. Corren retraces his mother’s reckless early years as a nut-loving, “ravenous and ravishing redheaded” Southern woman who, when faced with trouble, “shot first, asked questions later” and was, surprisingly, a voracious reader. Unfortunately, Renay’s divorce in 1975 became the event that unraveled her emotionally and financially. Despite their former devotion, Corren’s siblings (and the author himself, on his 18th birthday) left Fayetteville forever. Though his queerness emerged throughout his youth, Corren divulges that he always knew he was special, “like a hothouse plant that needed a little extra attention,” which his mother always lavished on him in her own unique and boisterous way. Though some will find Corren’s delivery of rapid-fire anecdotes dizzying, he manages to downshift toward the book’s conclusion, recounting a poignant trip back to Fayetteville, five months after his mother’s death and 34 years after he’d permanently left the area, to organize a family memorial for Renay at the bowling alley she always adored.

A matriarch’s idiosyncratic life captured and besainted through a succession of hilarious memories.

Pub Date: Jan. 14, 2025

ISBN: 9781538742228

Page Count: 288

Publisher: Grand Central Publishing

Review Posted Online: Oct. 25, 2024

Kirkus Reviews Issue: Dec. 1, 2024

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THINK YOU'LL BE HAPPY

MOVING THROUGH GRIEF WITH GRIT, GRACE, AND GRATITUDE

Some of Avant’s mantras are overstated, but her book is magnanimous, inspiring, and relentlessly optimistic.

Memories and life lessons inspired by the author’s mother, who was murdered in 2021.

“Neither my mother nor I knew that her last text to me would be the words ‘Think you’ll be happy,’ ” Avant writes, "but it is fitting that she left me with a mantra for resiliency.” The author, a filmmaker and former U.S. Ambassador to the Bahamas, begins her first book on the night she learned her mother, Jacqueline Avant, had been fatally shot during a home invasion. “One of my first thoughts,” she writes, “was, ‘Oh God, please don’t let me hate this man. Give me the strength not to hate him.’ ” Daughter of Clarence Avant, known as the “Black Godfather” due to his work as a pioneering music executive, the author describes growing up “in a house that had a revolving door of famous people,” from Ella Fitzgerald to Muhammad Ali. “I don’t take for granted anything I have achieved in my life as a Black American woman,” writes Avant. “And I recognize my unique upbringing…..I was taught to honor our past and pay forward our fruits.” The book, which is occasionally repetitive, includes tributes to her mother from figures like Oprah Winfrey and Bill Clinton, but the narrative core is the author’s direct, faith-based, unwaveringly positive messages to readers—e.g., “I don’t want to carry the sadness and anger I have toward the man who did this to my mother…so I’m worshiping God amid the worst storm imaginable”; "Success and feeling good are contagious. I’m all about positive contagious vibrations!” Avant frequently quotes Bible verses, and the bulk of the text reflects the spirit of her daily prayer “that everything is in divine order.” Imploring readers to practice proactive behavior, she writes, “We have to always find the blessing, to be the blessing.”

Some of Avant’s mantras are overstated, but her book is magnanimous, inspiring, and relentlessly optimistic.

Pub Date: Oct. 17, 2023

ISBN: 9780063304413

Page Count: 288

Publisher: HarperOne

Review Posted Online: Aug. 17, 2023

Kirkus Reviews Issue: Sept. 15, 2023

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THE MINOTAUR AT CALLE LANZA

An intriguing but uneven family memoir and travelogue.

An author’s trip to Venice takes a distinctly Borgesian turn.

In November 2020, soccer club Venizia F.C. offered Nigerian American author Madu a writing residency as part of its plan “to turn the team into a global entity of fashion, culture, and sports.” Flying to Venice for the fellowship, he felt guilty about leaving his immigrant parents, who were shocked to learn upon moving to the U.S. years earlier that their Nigerian teaching certifications were invalid, forcing his father to work as a stocking clerk at Rite Aid to support the family. Madu’s experiences in Venice are incidental to what is primarily a story about his family, especially his strained relationship with his father, who was disappointed with many of his son’s choices. Unfortunately, the author’s seeming disinterest in Venice renders much of the narrative colorless. He says the trip across the Ponte della Libertà bridge was “magical,” but nothing he describes—the “endless water on both sides,” the nearby seagulls—is particularly remarkable. Little in the text conveys a sense of place or the unique character of his surroundings. Madu is at his best when he focuses on family dynamics and his observations that, in the largely deserted city, “I was one of the few Black people around.” He cites Borges, giving special note to the author’s “The House of Asterion,” in which the minotaur “explains his situation as a creature and as a creature within the labyrinth” of multiple mirrors. This notion leads to the Borgesian turn in the book’s second half, when, in an extended sequence, Madu imagines himself transformed into a minotaur, with “the head of a bull” and his body “larger, thicker, powerful but also cumbersome.” It’s an engaging passage, although stylistically out of keeping with much of what has come before.

An intriguing but uneven family memoir and travelogue.

Pub Date: April 2, 2024

ISBN: 9781953368669

Page Count: 144

Publisher: Belt Publishing

Review Posted Online: Nov. 17, 2023

Kirkus Reviews Issue: Dec. 15, 2023

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