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THE END OF THE LINE

This riveting debut opens with seventh-grader Robbie Thompson locked in solitary confinement at Great Oaks School (or Prison, as Robbie refers to it), where he’s forced to meet required behavioral expectations to gain even basic needs. Readers soon learn that he’s been placed at the “end of the line” after violent outbursts at four other alternative schools—and that he killed his friend Ryan. Short, quick-paced chapters, some only one page long, alternate between Robbie’s time in school/prison and past events that led up to Ryan’s death. There are no black-and-white issues here; Ryan is not a likable kid. After Robbie, a respectful and diligent son and student whose favorite pastime is building a model town with his Uncle Grant, stands up to the bullying Ryan receives on his first day in their sixth grade, Ryan ingratiates himself with Robbie’s family. While Robbie’s parents see an impoverished boy who lives with his elderly grandparents, Robbie realizes that Ryan is evasive, manipulative and a liar. Adding to his growing hatred is a (little overblown) tyrant of a teacher who wrongfully casts Robbie as the troublemaker of the class. A demanding Great Oaks leader, group therapy with teens years ahead of him and analogies to Uncle Grant’s difficult choices as a soldier in Iraq help Robbie find responsibility and acceptance. A thought-provoking look at culpability and grief. (Fiction. 12-15)

Pub Date: April 1, 2011

ISBN: 978-0-8234-2287-6

Page Count: 216

Publisher: Holiday House

Review Posted Online: April 4, 2011

Kirkus Reviews Issue: March 15, 2011

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DEAD WEDNESDAY

Characters to love, quips to snort at, insights to ponder: typical Spinelli.

For two teenagers, a small town’s annual cautionary ritual becomes both a life- and a death-changing experience.

On the second Wednesday in June, every eighth grader in Amber Springs, Pennsylvania, gets a black shirt, the name and picture of a teen killed the previous year through reckless behavior—and the silent treatment from everyone in town. Like many of his classmates, shy, self-conscious Robbie “Worm” Tarnauer has been looking forward to Dead Wed as a day for cutting loose rather than sober reflection…until he finds himself talking to a strange girl or, as she would have it, “spectral maiden,” only he can see or touch. Becca Finch is as surprised and confused as Worm, only remembering losing control of her car on an icy slope that past Christmas Eve. But being (or having been, anyway) a more outgoing sort, she sees their encounter as a sign that she’s got a mission. What follows, in a long conversational ramble through town and beyond, is a day at once ordinary yet rich in discovery and self-discovery—not just for Worm, but for Becca too, with a climactic twist that leaves both ready, or readier, for whatever may come next. Spinelli shines at setting a tongue-in-cheek tone for a tale with serious underpinnings, and as in Stargirl (2000), readers will be swept into the relationship that develops between this adolescent odd couple. Characters follow a White default.

Characters to love, quips to snort at, insights to ponder: typical Spinelli. (Fiction. 12-15)

Pub Date: Aug. 3, 2021

ISBN: 978-0-593-30667-3

Page Count: 240

Publisher: Knopf

Review Posted Online: May 31, 2021

Kirkus Reviews Issue: June 15, 2021

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THE RUNAWAY'S DIARY

A somewhat entertaining, fast-paced journey that fizzles at the end.

A teenager runs away to Seattle, hoping to locate her missing sister.

Fifteen-year-old Eleanor idolizes her older sister, Sam, despite their being complete opposites: Sam is outgoing and wild, while socially awkward Eleanor is known as Little Miss Perfect, always doing the right and safe thing. After Sam runs away from home, the only communication she has with Eleanor are three postcards sent from Seattle. Eleanor decides to trace her 18-year-old sister’s footsteps, leaving her messages and hopping on a bus to find her. But when Sam doesn’t meet her at the bus depot, Eleanor, who has no real plan, has to learn how to survive on her own while searching the city for her sister. While the close bond between the girls is well depicted through flashbacks, the reveal of an important secret ultimately feels anticlimactic. A major plot point relies too heavily on chance and coincidence to be fully believable. While the color scheme, cityscapes, and background illustrations are atmospheric, the manga-inspired drawing style comes across as dated and flat. The depiction of the fabricated stories Eleanor tells is intriguing, as are the themes of friendship, living in the moment, and maintaining hope; unfortunately, none are thematically strong enough to resonate. The emotional impact of Eleanor’s experiences is diluted by her at times humorous narration. Eleanor and the main cast read as White.

A somewhat entertaining, fast-paced journey that fizzles at the end. (Graphic novel. 12-15)

Pub Date: April 26, 2022

ISBN: 978-0-316-50023-4

Page Count: 280

Publisher: Little, Brown

Review Posted Online: April 12, 2022

Kirkus Reviews Issue: May 1, 2022

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