An intelligent, evocative, and richly textured memoir.
The haunting account of how the author tried to escape her rural Indiana past.
Ink + Lead Literary Services owner Palm (Please Do Not Remove: A Collection Celebrating Vermont Literature and Libraries, 2014) grew up in a community claimed from the waters of the Kankakee River, which had been rerouted to create farmland. Early on she realized that she was not like other blue-collar “rural folk” whose lives entwined with the land; rather, she was a “bookish fishergirl who longed for the social opportunities of a cookie-cutter subdivision.” Unable to move past the narrow confines of her social and physical isolation, Palm first sought refuge in religion. She experimented with both Christian and non-Christian faiths and belief systems; eventually, meditation became her one reliable way “out of that riverbed.” While the author embraced the power of her mind and imagination to rise above an existence measured by cycles of flood and drought, fellow outsider—and secret object of desire—Corey sank into the “rot” of riverine life by “rejecting school and authority” and becoming a convicted murderer. Deeply troubled by Corey’s descent into criminality but determined to break free of the muddy quicksand of river life, Palm, whose own uncle had been imprisoned for attempted murder, went to college and studied criminal justice. Her path took her first to Indianapolis and then, after marriage, to Vermont. Yet despite the distance she put between her riverbed upbringing and the trauma of Corey’s lifetime incarceration, both remained with her. Only after she was able to return to Indiana to visit Corey in prison could she make peace with her past and a heart that, according to her corresponding palm line, looked like “an aerial cartography of the river where we grew up.” Densely symbolic, unsentimental, and eloquent, Palm’s book explores the connections between yearning, desire, and homecoming with subtlety and lucidity. The result is a narrative that maps the complex relationships that exist between individual identity and place.
An intelligent, evocative, and richly textured memoir.Pub Date: Aug. 16, 2016
ISBN: 978-1-55597-746-7
Page Count: 256
Publisher: Graywolf
Review Posted Online: May 24, 2016
Kirkus Reviews Issue: June 15, 2016
PROFILES
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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