A suspenseful tale filled with Ojibwe knowledge, hockey, and the politics of status.
Testing the strength of family bonds is never easy—and lies make it even harder.
Daunis is trying to balance her two communities: The Sault Ste. Marie, Michigan, teen is constantly adapting, whether she is with her Anishinaabe father’s side of the family, the Firekeepers, or the Fontaines, her White mother’s wealthy relatives. She has grand plans for her future, as she wants to become a doctor, but has decided to defer her plans to go away for college because her maternal grandmother is recovering from a stroke. Daunis spends her free time playing hockey with her Firekeeper half brother, Levi, but tragedy strikes, and she discovers someone is selling a dangerous new form of meth—and the bodies are piling up. While trying to figure out who is behind this, Daunis pulls away from her family, covering up where she has been and what she has been doing. While dealing with tough topics like rape, drugs, racism, and death, this book balances the darkness with Ojibwe cultural texture and well-crafted characters. Daunis is a three-dimensional, realistically imperfect girl trying her best to handle everything happening around her. The first-person narration reveals her internal monologue, allowing readers to learn what’s going on in her head as she encounters anti-Indian bias and deals with grief.
A suspenseful tale filled with Ojibwe knowledge, hockey, and the politics of status. (Thriller. 14-18)Pub Date: March 16, 2021
ISBN: 978-1-250-76656-4
Page Count: 496
Publisher: Henry Holt
Review Posted Online: Dec. 9, 2020
Kirkus Reviews Issue: Jan. 1, 2021
BOOK REVIEW
Only marginally intriguing.
In a remote part of Utah, in a “temple of excellence,” the best of the best are recruited to nurture their talents.
Redemption Preparatory is a cross between the Vatican and a top-secret research facility: The school is rooted in Christian ideology (but very few students are Christian), Mass is compulsory, cameras capture everything, and “maintenance” workers carry Tasers. When talented poet Emma disappears, three students, distrusting of the school administration, launch their own investigation. Brilliant chemist Neesha believes Emma has run away to avoid taking the heat for the duo’s illegal drug enterprise. Her boyfriend, an athlete called Aiden, naturally wants to find her. Evan, a chess prodigy who relies on patterns and has difficulty processing social signals, believes he knows Emma better than anyone. While the school is an insidious character on its own and the big reveal is slightly psychologically disturbing, Evan’s positioning as a tragic hero with an uncertain fate—which is connected to his stalking of Emma (even before her disappearance)—is far more unsettling. The ’90s setting provides the backdrop for tongue-in-cheek technological references but doesn’t do anything for the plot. Student testimonials and voice-to-text transcripts punctuate the three-way third-person narration that alternates among Neesha, Evan, and Aiden. Emma, Aiden, and Evan are assumed to be white; Neesha is Indian. Students are from all over the world, including Asia and the Middle East.
Only marginally intriguing. (Mystery. 15-18)Pub Date: April 14, 2020
ISBN: 978-0-06-266203-3
Page Count: 416
Publisher: Katherine Tegen/HarperCollins
Review Posted Online: Jan. 18, 2020
Kirkus Reviews Issue: Feb. 15, 2020
BOOK REVIEW
BOOK REVIEW
A solid sophomore novel celebrating love that begs for a soundtrack.
Queer Black girls fall in love at a summer music festival.
When dating the top basketball recruit in Indiana turns disastrous, ruining her socially, emotionally, and in her mother’s eyes, perpetually in love 16-year-old Olivia Brooks begs her best friend, Imani Garrett, to take a summer road trip to the Farmland Arts and Music Festival in Georgia. Imani agrees on one condition: Olivia cannot hook up with anyone on the trip. Meanwhile, Toni Jackson is heading to Farmland for the first time without her musician-turned-roadie dad, who was killed 8 months ago. Joined by her best friend, Peter Menon (whose surname cues him as Indian), Toni is trying to figure her life out—college or something else? She believes that if she performs in the festival’s Golden Apple amateur competition, the truth will become clear. The four meet in Georgia, and when all the solo slots in the competition are full, Toni and Olivia agree to enter as a duo and help each other with their individual quests—Toni’s to perform on stage, Olivia’s to be distracted from the upcoming judicial hearing over violating behavior by her ex-boyfriend and to win the prize of a much-needed car. Although Imani and Peter feel more like devices than well-developed characters with substantial relationships to the protagonists, the exploration of Olivia’s tendency to adapt to others’ expectations of her is wonderfully nuanced, and her relationship with Toni is delightfully swoon-y.
A solid sophomore novel celebrating love that begs for a soundtrack. (Fiction. 14-18)Pub Date: July 6, 2021
ISBN: 978-1-338-66223-8
Page Count: 336
Publisher: Scholastic
Review Posted Online: May 10, 2021
Kirkus Reviews Issue: June 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PROFILES
SEEN & HEARD
SEEN & HEARD
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