A joyous experience awaits. Read it. Learn it. Love it.
This honest and unflinching story of toil, tears, and triumph is a musical love letter that proves literary lightning does indeed strike twice.
Thomas’ (The Hate U Give, 2017) sophomore novel returns to Garden Heights, but while Brianna may live in Starr's old neighborhood, their experiences couldn't differ more. Raised by a widowed mother, a recovering drug addict, Bri attends an arts school while dreaming of becoming a famous rapper, as her father was before gang violence ended his life. Her struggles within the music industry and in school highlight the humiliations and injustices that remain an indelible part of the African American story while also showcasing rap’s undeniable lyrical power as a language through which to find strength. Bri's journey is deeply personal: small in scope and edgy in tone. When Bri raps, the prose sings on the page as she uses it to voice her frustration at being stigmatized as “hood” at school, her humiliation at being unable to pay the bills, and her yearning to succeed in the music world on her own merit. Most importantly, the novel gives voice to teens whose lives diverge from middle-class Americana. Bri wrestles with parent relationships and boy drama—and a trip to the food bank so they don’t starve during Christmas. The rawness of Bri's narrative demonstrates Thomas’ undeniable storytelling prowess as she tells truths that are neither pretty nor necessarily universally relatable.
A joyous experience awaits. Read it. Learn it. Love it. (Fiction. 13-adult)Pub Date: Feb. 5, 2019
ISBN: 978-0-06-249856-4
Page Count: 464
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: Dec. 21, 2018
Kirkus Reviews Issue: Jan. 15, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Masterfully modernizing the gothic horror genre, McGinnis outdoes herself.
While one cousin grapples with murder, another seeks revenge in this Edgar Allen Poe–inspired sequel to The Initial Insult (2021).
Picking up where the first novel ended, this duology closer once again follows Tress Montor in mostly White, small-town Amontillado, Ohio. Still looking for answers about her parents’ mysterious disappearance 7 years ago, Tress is also haunted à la “The Tell-Tale Heart” by the murder of Felicity Turnado, whom she entombed alive in the previous entry. Alternating with her first-person narration are chapters from her often taunted cousin, Kermit “Ribbit” Usher. Reminiscent of the title character in Poe’s “Hop-Frog,” Ribbit plans for a deadly revenge against his tormentors as well as a heroic rescue of Felicity and a family-ordered killing. As before, the alternating point-of-view chapters, with taut storytelling, dark twists, and allusions to Poe, effectively play off one another. Reinforcing the converging storylines are interspersed cryptic free-verse poems by Rue, a caged orangutan who lives at the illegal exotic animal attraction owned by Tress’ grandfather. The overall effect this time ups the mystery, intensity, and horror (emphasis on the latter!), with a satisfying ending delivering answers about ongoing family questions and clashes. Readers must be familiar with the first book to fully appreciate this one.
Masterfully modernizing the gothic horror genre, McGinnis outdoes herself. (Thriller. 14-18)Pub Date: March 15, 2022
ISBN: 978-0-06-298245-2
Page Count: 384
Publisher: Katherine Tegen/HarperCollins
Review Posted Online: Dec. 23, 2021
Kirkus Reviews Issue: Jan. 15, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A fresh take on high school and activism.
An upset in the struggle for succession at a high school newspaper sends shock waves far beyond the newsroom.
Eliza Quan has spent her high school career in Southern California preparing to assume leadership of the Willoughby Bugle; she’s the most qualified, and she’s sure she’s the best for the job. Her plans are stymied, however, by Len DiMartile, a biracial (White/Japanese) ex–baseball player who apparently joined the Bugle’s staff on a whim following an injury and who easily wins the election for editor-in-chief. Eliza is angry—why should likability come before dedication and well-informed goals? Determined to contest the election results, Eliza starts a feminist movement in her high school, forming unlikely partnerships in a quest for justice. In the process Eliza learns that there are no simple answers when fighting for what’s right—and that even Len may not be as bad as she believed. Maybe even boyfriend material. The narrative tackles the complications of standing up for yourself without harming others while also exploring other dynamics, including life in a refugee family—Eliza’s parents are Chinese Vietnamese—and varying attitudes toward feminism as her mother’s pragmatism is contrasted with Eliza’s push for systemic change. Eliza’s best friend is Black, and, in a school setting that is predominately Asian, activism at the intersection of race and gender is also addressed. Quach skillfully balances all these elements, breathing life into this enemies-to-lovers story.
A fresh take on high school and activism. (Fiction. 13-18)Pub Date: Sept. 14, 2021
ISBN: 978-0-06-303836-3
Page Count: 384
Publisher: Katherine Tegen/HarperCollins
Review Posted Online: July 26, 2021
Kirkus Reviews Issue: Aug. 15, 2021
BOOK REVIEW
PERSPECTIVES
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