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WARLORD

A fast-paced and exciting story unsuitable for the squeamish.

Part of Donald’s Robin Hood series (King’s Man, 2012, etc.), this book is a bloodcurdling tale of medieval greed, cruelty and honor.

In A.D. 1194, young Sir Alan Dale is a faithful disciple of Robin Hood. Both serve England’s King Richard the Lionheart in his continuous battles across Normandy. Richard wants to recover land lost during his imprisonment, and France’s King Philip stands in his way. Richard’s warriors fight for king and loot, lopping off heads, disemboweling foes and turning limbs into bloody stumps. Alan does not share Robin’s lack of scruples or disdain for religion, but he admires everything else about him. Alan wants to marry the beautiful Godifa, “Goody,” for whom he preserves his virginity, but fealty to Robin and to King Richard keep delaying the union. Another obstacle is the hideous and crazed Nur, whom Alan had once loved until a fiend butchered her face. She will curse Alan and Goody should they go through with the wedding. Much of the plot is driven by Alan’s desire to identify the killer of his father—could it be the hated Mercadier or even Robin Hood? And might they find the Holy Grail, thought to have once held the blood of Christ? Donald writes in a "Historical Note" at book's end that he has been fascinated with the era since childhood, a claim supported by the richness of detail he provides in every scene. While protagonist Alan is a sympathetic and honorable man, he is also a ferocious and skilled warrior not averse to cleaving skulls before asking for God’s forgiveness. Many of the fight scenes show the thrusts and parries in detail, as though the author were a witness. In between are vivid depictions of 12th-century life, but the battles are what make the book thoroughly entertaining.

A fast-paced and exciting story unsuitable for the squeamish.

Pub Date: Nov. 12, 2013

ISBN: 978-1-250-04081-7

Page Count: 432

Publisher: St. Martin's

Review Posted Online: Oct. 20, 2013

Kirkus Reviews Issue: Nov. 1, 2013

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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CIRCE

Miller makes Homer pertinent to women facing 21st-century monsters.

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A retelling of ancient Greek lore gives exhilarating voice to a witch.

“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.

Miller makes Homer pertinent to women facing 21st-century monsters.

Pub Date: April 10, 2018

ISBN: 978-0-316-55634-7

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Jan. 22, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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