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THE OMEGA PROJECT

A lengthy but mostly engrossing story of worldwide chaos and smaller-scale upheaval.

A U.S. Army officer at a subterranean military base is challenged by security breaches and potential refugees from aboveground disasters in Hodgson’s (By Strength and by Guile, 2016) thriller.

When higher-ups decide to move Lt. Col. Jon Frasier out of Delta Force, he earns a position at a secret underground facility called Omega 11. It’s part of Project Omega, the government’s plan to safeguard Americans in the event of nuclear war. During Frasier’s first day as ground-forces commander, he’s ambushed by a group of armed men, whom he fights off. Omega 11’s deputy commander was recently murdered, and after its commanding general suffers a suspicious heart attack, Frasier suspects that assassins have infiltrated the base, likely with inside help. He also learns that experts are predicting that an earthquake will cause California to fall into the sea, causing a tsunami that will devastate multiple countries. As Omega 11 and other sites prepare for refugees, Frasier leads the search for the assassins and moles running loose on his base. He receives assistance from Klavia, a Belgian shepherd that he helped recertify as a military working dog after its previous handler’s death in Afghanistan. One of its many skills is sniffing out explosives, which comes in handy. Hodgson effectively establishes the isolated facility, where people admire the realistic artificial sky and hear constant updates about increasingly dire global calamities, including terrorist activity and volcanoes on the verge of erupting. The characters are plentiful and distinctive, including some incompetent officers and others who are downright villainous. However, the author’s descriptions of women too often resort to superficial characteristics, such as a “pleasant chest,” “a smallish but very nice breast,” or “very feminine shaped butt and legs.” The depiction of Klavia, though, is exceptional; instances told from the dog’s perspective reveal its fierce loyalty and protectiveness; for example, it’s prone to frustration when a “female two legs” distracts its Alpha, Frasier. The ending doesn’t resolve everything, though, which leaves things open for a possible sequel.

A lengthy but mostly engrossing story of worldwide chaos and smaller-scale upheaval.

Pub Date: July 17, 2017

ISBN: 978-1-4575-5536-7

Page Count: 646

Publisher: Dog Ear Publishing

Review Posted Online: Feb. 12, 2018

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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