Enjoyable fiction with a detailed historical backdrop, this sweet tale is paradigmatic book club fare, but we expect...
A Jewish woman born in 1900 tells her granddaughter about growing up in the 20th century.
Diamant (Day After Night, 2009, etc.) establishes an agreeable, conversational tone in the opening paragraph: “I’m flattered you want to interview me,” Addie says. “And when did I ever say no to my favorite grandchild?” It’s 1985, and we quickly learn that Addie is the daughter of Russian immigrants, the only one born in the New World but not the only one to disappoint her bitter, carping mother by turning out to be “a real American.” Older sister Betty horrifies their parents in 1910 by moving out to become a saleswoman at Filene’s, and Addie flouts their limited expectations by attending high school and joining a reading club at the local settlement house. It’s there she learns about Rockport Lodge and snatches a vacation at this “inn for young ladies in a seaside town north of Boston” with the help of the settlement house’s nurturing Miss Chevalier. On her first trip to the lodge in 1916, Addie forms lifetime friendships with other striving working-class girls, particularly Filomena, whose affair with a married artist demonstrates the promises and perils of the new freedoms women are claiming. Addie’s narrative rambles through the decades, spotlighting somewhat generic events: the deaths of two nephews in the 1918 flu epidemic, an unfulfilling romance with a traumatized World War I veteran, an encounter with a violent rumrunner. Her increasing aspirations take her from a secretarial job to a newspaper, where she climbs from typist to columnist with the help of other uppity women. True love arrives with labor lawyer Aaron Metsky, and a quick wrap-up of the years after 1931 tells us Addie found her vocation as a social worker and teacher.
Enjoyable fiction with a detailed historical backdrop, this sweet tale is paradigmatic book club fare, but we expect something more substantial from the author of The Red Tent (1997) and The Last Days of Dogtown (2005).Pub Date: Dec. 9, 2014
ISBN: 978-1-4391-9935-0
Page Count: 336
Publisher: Scribner
Review Posted Online: Sept. 12, 2014
Kirkus Reviews Issue: Oct. 1, 2014
While Liv’s more pedestrian story is less romantic than Sophie’s and far less nuanced, Moyes is a born storyteller who makes...
The newest novel by Moyes (Me Before You, 2012, etc.) shares its title with a fictional painting that serves as catalyst in linking two love stories, one set in occupied France during World War I, the other in 21st-century London.
In a French village in 1916, Sophie is helping the family while her husband, Édouard, an artist who studied with Matisse, is off fighting. Sophie’s pluck in standing up to the new German kommandant in the village draws his interest. An art lover, he also notices Édouard's portrait of Sophie, which captures her essence (and the kommandant's adoration). Arranging to dine regularly at Sophie’s inn with his men, he begins a cat-and-mouse courtship. She resists. But learning that Édouard is being held in a particularly harsh “reprisal” camp, she must decide what she will sacrifice for Édouard’s freedom. The rich portrayals of Sophie, her family and neighbors hauntingly capture wartime’s gray morality. Cut to 2006 and a different moral puzzle. Thirty-two-year-old widow Liv has been struggling financially and emotionally since her husband David’s sudden death. She meets Paul in a bar after her purse is stolen. The divorced father is the first man she’s been drawn to since she was widowed. They spend a glorious night together, but after noticing Édouard's portrait of Sophie on Liv’s wall, he rushes away with no explanation. In fact, Paul is as smitten as Liv, but his career is finding and returning stolen art to the rightful owners. Usually the artwork was confiscated by Germans during World War II, not WWI, but Édouard's descendants recently hired him to find this very painting. Liv is not about to part with it; David bought it on their honeymoon because the portrait reminded him of Liv. In love, Liv and Paul soon find themselves on opposite sides of a legal battle.
While Liv’s more pedestrian story is less romantic than Sophie’s and far less nuanced, Moyes is a born storyteller who makes it impossible not to care about her heroines.Pub Date: Aug. 20, 2013
ISBN: 978-0-670-02661-6
Page Count: 384
Publisher: Pamela Dorman/Viking
Review Posted Online: July 17, 2013
Kirkus Reviews Issue: Aug. 1, 2013
A compulsively readable account of a little-known yet extraordinary historical figure—Lawhon’s best book to date.
A historical novel explores the intersection of love and war in the life of Australian-born World War II heroine Nancy Grace Augusta Wake.
Lawhon’s (I Was Anastasia, 2018, etc.) carefully researched, lively historical novels tend to be founded on a strategic chronological gambit, whether it’s the suspenseful countdown to the landing of the Hindenberg or the tale of a Romanov princess told backward and forward at once. In her fourth novel, she splits the story of the amazing Nancy Wake, woman of many aliases, into two interwoven strands, both told in first-person present. One begins on Feb. 29th, 1944, when Wake, code-named Hélène by the British Special Operations Executive, parachutes into Vichy-controlled France to aid the troops of the Resistance, working with comrades “Hubert” and “Denden”—two of many vividly drawn supporting characters. “I wake just before dawn with a full bladder and the uncomfortable realization that I am surrounded on all sides by two hundred sex-starved Frenchmen,” she says. The second strand starts eight years earlier in Paris, where Wake is launching a career as a freelance journalist, covering early stories of the Nazi rise and learning to drink with the hardcore journos, her purse-pooch Picon in her lap. Though she claims the dog “will be the great love of [her] life,” she is about to meet the hunky Marseille-based industrialist Henri Fiocca, whose dashing courtship involves French 75 cocktails, unexpected appearances, and a drawn-out seduction. As always when going into battle, even the ones with guns and grenades, Nancy says “I wear my favorite armor…red lipstick.” Both strands offer plenty of fireworks and heroism as they converge to explain all. The author begs forgiveness in an informative afterword for all the drinking and swearing. Hey! No apologies necessary!
A compulsively readable account of a little-known yet extraordinary historical figure—Lawhon’s best book to date.Pub Date: March 31, 2020
ISBN: 978-0-385-54468-9
Page Count: 464
Publisher: Doubleday
Review Posted Online: Jan. 12, 2020
Kirkus Reviews Issue: Feb. 1, 2020
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