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DAY AFTER NIGHT

A warm, intensely human reckoning with unbearable sorrow and unquenchable hope.

Diamant (The Last Days of Dogtown, 2005, etc.) tenderly portrays four women in transition, from the killing fields of Europe to the promised land of Eretz Yisrael.

In August 1945, however, they’re stuck in Atlit, a British detention center for illegal immigrants to the Palestinian mandate. “Not one of the women in Barrack C is 21, but all of them are orphans,” the author tells us on the first page. Zorah lost her entire family in the first concentration-camp selection. Tedi spent two years hiding in the Dutch countryside, then escaped from a train bound for Auschwitz. Shayndel, a prewar Zionist, fought with the partisans. Leonie was saved from a roundup of Parisian Jews and forced into prostitution. These memories are their constant companions, but people at Atlit avoid talking about the past: “It was all about Palestine.” The underground Jewish fighting force plans to break out the detainees and lead them to the kibbutzim. Meanwhile, the camp is riddled with intrigue. The Jewish cook is sleeping with the British commander to gain information, but she also happens to love him. Leonie spots an SS tattoo under the armpit of a crazed new arrival. Shayndel spars with a swaggering Jewish soldier and wonders if all the men in Palestine are this arrogant. Zorah becomes the fierce protector of a Polish gentile who rescued her Jewish employer’s son and is raising him as her own. The novel climaxes with the breakout (an actual event), but the real story here is about healing, about being able to love again and to believe in the future. Diamant quietly leads us into her characters’ anguish, guilt and despair, then gently shows them coming to renewed life almost in spite of themselves. A moving epilogue traces the four protagonists’ paths after leaving Atlit, reminding us that their wartime ordeals and internment were “just the beginning.”

A warm, intensely human reckoning with unbearable sorrow and unquenchable hope.

Pub Date: Sept. 1, 2009

ISBN: 978-0-7432-9984-8

Page Count: 320

Publisher: Scribner

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 2009

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WE WERE THE LUCKY ONES

Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.

Hunter’s debut novel tracks the experiences of her family members during the Holocaust.

Sol and Nechuma Kurc, wealthy, cultured Jews in Radom, Poland, are successful shop owners; they and their grown children live a comfortable lifestyle. But that lifestyle is no protection against the onslaught of the Holocaust, which eventually scatters the members of the Kurc family among several continents. Genek, the oldest son, is exiled with his wife to a Siberian gulag. Halina, youngest of all the children, works to protect her family alongside her resistance-fighter husband. Addy, middle child, a composer and engineer before the war breaks out, leaves Europe on one of the last passenger ships, ending up thousands of miles away. Then, too, there are Mila and Felicia, Jakob and Bella, each with their own share of struggles—pain endured, horrors witnessed. Hunter conducted extensive research after learning that her grandfather (Addy in the book) survived the Holocaust. The research shows: her novel is thorough and precise in its details. It’s less precise in its language, however, which frequently relies on cliché. “You’ll get only one shot at this,” Halina thinks, enacting a plan to save her husband. “Don’t botch it.” Later, Genek, confronting a routine bit of paperwork, must decide whether or not to hide his Jewishness. “That form is a deal breaker,” he tells himself. “It’s life and death.” And: “They are low, it seems, on good fortune. And something tells him they’ll need it.” Worse than these stale phrases, though, are the moments when Hunter’s writing is entirely inadequate for the subject matter at hand. Genek, describing the gulag, calls the nearest town “a total shitscape.” This is a low point for Hunter’s writing; elsewhere in the novel, it’s stronger. Still, the characters remain flat and unknowable, while the novel itself is predictable. At this point, more than half a century’s worth of fiction and film has been inspired by the Holocaust—a weighty and imposing tradition. Hunter, it seems, hasn’t been able to break free from her dependence on it.

Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.

Pub Date: Feb. 14, 2017

ISBN: 978-0-399-56308-9

Page Count: 416

Publisher: Viking

Review Posted Online: Nov. 21, 2016

Kirkus Reviews Issue: Dec. 1, 2016

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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