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TEA & ANTIPATHY

AN AMERICAN FAMILY IN SWINGING LONDON

A book of modest charms just short enough not to outstay its welcome.

An American family discovers there’s no cure for Anglophilia like living in London.

This slight comic memoir oversells its premise, as the 1960s England recounted by Academy Chicago president and editorial director Miller (Uncollecting Cheever: The Family of John Cheever vs. Academy Chicago Publishers, 1998, etc.) is far from swinging. The story is set in 1965, but Beatlemania and Carnaby Street are at the periphery; at the forefront is a drab, provincial, day-to-day London that seems permanently stuck in the past. When her husband, Jordan, moved her and their three children to London—in hopes of salvaging what was left of the British branch of his business—Miller, with a freshly minted degree in English literature, looked forward to soaking up centuries of literary culture. Instead, life in this new old world became a series of daily torments. The landlady of their rented town house left the place in poor repair; sheets and cookware were missing, and bathroom leaks and clogs became all too apparent. The city rubbed the family the wrong way; service personnel arrived at the worst time or not at all, store and restaurant staffers were indifferent to customers, and minor requests transformed into major ordeals. The locals were boors who fetishize the queen and lecture Americans on their shortcomings. “We’re five hundred years ahead of you, you see,” explains one new acquaintance. “We’ve had more time to become civilized.” The book is at its funniest when Miller lets comic events speak for themselves, but the wit is often forced. The author’s memories aren’t so much interesting in themselves as they are buoyed by her pseudo-drollery. “[T]he English, they’ll do you every time,” says the family’s Irish cleaning lady, which is funnier the first time she says it than the tenth.

A book of modest charms just short enough not to outstay its welcome.

Pub Date: Jan. 1, 2015

ISBN: 978-0897337434

Page Count: 224

Publisher: Chicago Review Press

Review Posted Online: Oct. 14, 2014

Kirkus Reviews Issue: Nov. 1, 2014

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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