by Ann C Pizzorusso ‧ RELEASE DATE: N/A
Wonderfully illustrated and crammed with information, this book is perfect for trivia buffs and scholars alike.
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An exploration of how Italy’s volcanic geology from the breakup of the supercontinent Pangaea to modern times has affected its history, art, religion, medicine and culture.
Packed with facts, full-color photos, paintings, sketches and illustrations, Pizzorusso’s beautiful first book offers essays for many tastes and educational levels. The opening piece, for example, is a rather dry and lengthy academic study of the Etruscans who inhabited the Italian peninsula before being conquered by the Romans. Pizzorusso details how some “religious tracts were attributed to Nymph Begoe (Vegoia in Latin), a prophetess who is thought to be the source of Libri Vegoici, the books on lightning that were kept in the Temple of Apollo at Rome.” However, subsequent entries are more accessible. She writes “Pyroclastic Poets,” for instance, in a far more easygoing style, even suitably waxing poetic herself: “Throughout history, writers joined the ranks of explorers and scientists in venturing close—either actually or metaphorically to the fire spewing vents which flaunted their hot vapors, ruby colored flames and glowing briquettes like a circus juggler, enticing anyone with enough moxie to venture near.” Throughout, fascinating factoids abound: The headwear of Etruscan priests survives today as bishops’ miters, and the underworld landscapes of Virgil and Dante are based on real locations that still exist. But Pizzorusso’s real genius is in her ability to stitch together widely diverse topics—such as gemology, folk remedies, grottoes, painting, literature, physics and religion—using geology as a thread. Quoting everyone from Pliny the Elder to NASA physicist Friedemann Freund, Pizzorusso’s work is solidly backed scholarship, including extensive appendices and a bibliography. What’s more, all lengthy quotes, be they Italian, Latin or Middle English, include text in the original language as well as the English translation; often also included are copies of original manuscripts. What is notably missing, however, is anything remotely related to tweeting as well as any mention of da Vinci until the fourth section out of six, when she finally presents an extensive overview of the man.
Wonderfully illustrated and crammed with information, this book is perfect for trivia buffs and scholars alike.Pub Date: N/A
ISBN: 978-1-940613-00-0
Page Count: 222
Publisher: Leonardo da Vinci Press
Review Posted Online: May 18, 2014
Review Program: Kirkus Indie
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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