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THE GHOSTS OF WINWORTH MANOR

A grim, disconcerting tale of ghosts and supernatural assaults.

A 200-year-old spirit in search of a bride torments members of a family both living and dead in this paranormal thriller.

Michael Winworth has haunted the Winworth Manor for two centuries. He yearns for a bride but can only travel so far within his New York seaside town. So he coerces help from Mayor Jonathan Gilmore, over whom Michael has leverage. The ghost killed his wife, Karen, for planning to demolish the manor and now owns her soul. He’ll free her if the mayor brings him Jonathan’s 16-year-old niece, Sarah. Michael is enamored of her and vows to kill anyone who would act inappropriately toward her. A practitioner of dark magic when alive, Michael becomes a voice in Sarah’s head and appears before her inside her unconscious mind. He also has sex with her by force and by “lowering” her inhibitions, acts that the teen rightly deems rape. But when Sarah later faces living human menaces, Michael responds homicidally. Local cop Lt. Eric Johnson investigates and, notwithstanding Sarah’s ghost story, looks for a flesh-and-blood killer. Meanwhile, Michael threatens to murder Sarah’s dad, Robert, if she doesn’t willingly marry him in an eternal union. Drighton’s paranormal tale is frequently disturbing. Most notably, the narrative during Michael’s rape of Sarah is in the style of erotica: "This caused her opening to reveal more of her most forbidden fruit, and he longed to taste her sweet nectar.” But Michael’s villainy is unquestionable, as he periodically tortures his brother Jason’s soul. The dialogue-laden story is fitting for scenes with spirits, including Michael and Sarah’s mother, Helen, who tries helping her family. Things get progressively darker as certain characters become seedier and Michael eventually takes over someone’s body with unnerving results. Readers will likely anticipate more mayhem in the book’s final chapters.

A grim, disconcerting tale of ghosts and supernatural assaults.

Pub Date: Sept. 17, 2019

ISBN: 978-1-68470-750-8

Page Count: 192

Publisher: Lulu

Review Posted Online: April 8, 2020

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HIDDEN PICTURES

It's almost enough to make a person believe in ghosts.

A disturbing household secret has far-reaching consequences in this dark, unusual ghost story.

Mallory Quinn, fresh out of rehab and recovering from a recent tragedy, has taken a job as a nanny for an affluent couple living in the upscale suburb of Spring Brook, New Jersey, when a series of strange events start to make her (and her employers) question her own sanity. Teddy, the precocious and shy 5-year-old boy she's charged with watching, seems to be haunted by a ghost who channels his body to draw pictures that are far too complex and well formed for such a young child. At first, these drawings are rather typical: rabbits, hot air balloons, trees. But then the illustrations take a dark turn, showcasing the details of a gruesome murder; the inclusion of the drawings, which start out as stick figures and grow increasingly more disturbing and sophisticated, brings the reader right into the story. With the help of an attractive young gardener and a psychic neighbor and using only the drawings as clues, Mallory must solve the mystery of the house's grizzly past before it's too late. Rekulak does a great job with character development: Mallory, who narrates in the first person, has an engaging voice; the Maxwells' slightly overbearing parenting style and passive-aggressive quips feel very familiar; and Teddy is so three-dimensional that he sometimes feels like a real child.

It's almost enough to make a person believe in ghosts.

Pub Date: May 10, 2022

ISBN: 978-1-250-81934-5

Page Count: 384

Publisher: Flatiron Books

Review Posted Online: March 1, 2022

Kirkus Reviews Issue: March 15, 2022

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IF IT BLEEDS

Vintage King: a pleasure for his many fans and not a bad place to start if you’re new to him.

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The master of supernatural disaster returns with four horror-laced novellas.

The protagonist of the title story, Holly Gibney, is by King’s own admission one of his most beloved characters, a “quirky walk-on” who quickly found herself at the center of some very unpleasant goings-on in End of Watch, Mr. Mercedes, and The Outsider. The insect-licious proceedings of the last are revisited, most yuckily, while some of King’s favorite conceits turn up: What happens if the dead are never really dead but instead show up generation after generation, occupying different bodies but most certainly exercising their same old mean-spirited voodoo? It won’t please TV journalists to know that the shape-shifting bad guys in that title story just happen to be on-the-ground reporters who turn up at very ugly disasters—and even cause them, albeit many decades apart. Think Jack Torrance in that photo at the end of The Shining, and you’ve got the general idea. “Only a coincidence, Holly thinks, but a chill shivers through her just the same,” King writes, “and once again she thinks of how there may be forces in this world moving people as they will, like men (and women) on a chessboard.” In the careful-what-you-wish-for department, Rat is one of those meta-referential things King enjoys: There are the usual hallucinatory doings, a destiny-altering rodent, and of course a writer protagonist who makes a deal with the devil for success that he thinks will outsmart the fates. No such luck, of course. Perhaps the most troubling story is the first, which may cause iPhone owners to rethink their purchases. King has gone a far piece from the killer clowns and vampires of old, with his monsters and monstrosities taking on far more quotidian forms—which makes them all the scarier.

Vintage King: a pleasure for his many fans and not a bad place to start if you’re new to him.

Pub Date: April 20, 2020

ISBN: 978-1-9821-3797-7

Page Count: 448

Publisher: Scribner

Review Posted Online: March 14, 2020

Kirkus Reviews Issue: April 1, 2020

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