Only somewhat successful in its cautionary aim.
There's a lot for this toddler to explore, and some of it is dangerous.
A boy explains about some of the items that are off-limits within his home, telling readers what they can and cannot touch. The child even directs his cat to make appropriate choices. When the cat rifles through the garbage can, the little boy admonishes the feline with a stern command (“The garbage is icky! / Don't touch, kitty!”). Unfortunately, he sometimes uses cutesy language; the electrical outlet is “too sparky.” There are a few things that are safe to touch—yarn, kitty—but there's no instruction about the proper way to approach an animal. One alarming spread presents multiple items with shrieking admonitions; the cat's fur bristles in alarm as it regards such varied items as a fan and a pair of scissors. The final scene depicts the youngster reviewing this book's companion title (Uh-Oh! Oh No!), surrounded by his toys. “Do touch. / Have fun!” Quiet pastels, saturated in lemony yellow, keep spreads in a nursery-inspired palette. Uh-Oh! Oh No! stars the same barefoot toddler in an extreme rapid-fire chain of events sparked by a sippy cup dropped from his high chair.
Only somewhat successful in its cautionary aim. (Board book. 9 mos.-2)Pub Date: March 1, 2012
ISBN: 978-1-58925-867-9
Page Count: 18
Publisher: Tiger Tales
Review Posted Online: June 12, 2012
Kirkus Reviews Issue: July 1, 2012
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A charmingly illustrated and designed work that will have trouble finding its readership.
Each letter of the alphabet gets fresh and fancy in this primer from typography guru Hische.
“Letters can be A-for-Athletic,” “J-for-Jeweled,” or “U-for-Unique,” but one thing’s for sure: “Each and every letter is AWESOME!” On each page, lowercase letters are rendered in pastel 3D block lettering, while uppercase counterparts take on stylized typographic pizzazz to match the descriptive text, which features lively adjectives that begin with the corresponding letter. Each anthropomorphized letter has a simple, expressive doodled face and stick limbs. Lowercase b uses a tiny bubble wand to blow a soapy, uppercase bubbly B. Uppercase M is drawn with curling serifs and a rabbit-filled top hat and a wand, much to the delight of the lowercase m spectator. Each scene is colorfully detailed, though visually a bit flattened by the stark white background. While the design is inspired, however, it isn’t clear who this book is intended for. The intricacies of the art may go over the heads of readers learning their ABCs; older children and typography-loving adults, as well as fans of Hische’s work, feel like this book’s true audience. Those readers may find the presentation and format a bit on the young side, while preschoolers will likely struggle with words such as vibrant, prickly, and electric.
A charmingly illustrated and designed work that will have trouble finding its readership. (Picture book. 3-7)Pub Date: Oct. 22, 2024
ISBN: 9780593385012
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Aug. 17, 2024
Kirkus Reviews Issue: Sept. 15, 2024
Whether in hand or on shelf, this one’s sure to make a splash anywhere and everywhere.
A frog tries to do everything a goat does, too.
Goat asks Frog to look at them before declaring “I’m ON it!” while balancing atop a tree stump near a pond. After an “Oooh!” and a “You know what?” Frog leaps off their lily pad to balance on a rock: “I’m on it, too!” Goat grabs a prop so that they can be both “on it AND beside it.” (It may take young readers a little bit to realize there are two its.) So does Frog. The competition continues as Frog struggles to mimic overconfident Goat’s antics. In addition to on and beside, the pair adds inside, between, under, and more. Eventually, it all gets to be too much for Frog to handle, so Frog falls into the water, resumes position on the lily pad, and declares “I am OVER it” while eating a fly. In an act of solidarity, Goat jumps in, too. In Tsurumi’s first foray into early readers she pares down her energetic, colorful cartoon style to the bare essentials without losing any of the madcap fun. Using fewer than 80 repeated words (over 12 of which are prepositions), the clever text instructs, delights, and revels in its own playfulness. Color-coded speech bubbles (orange for Goat, green for Frog) help match the dialogue with each speaker. Like others in the Elephant & Piggie Like Reading series, Elephant and Piggie metafictively bookend the main narrative with hilariously on-the-nose commentary.
Whether in hand or on shelf, this one’s sure to make a splash anywhere and everywhere. (Early reader. 4-8)Pub Date: May 11, 2021
ISBN: 978-1-368-06696-9
Page Count: 64
Publisher: Hyperion
Review Posted Online: March 30, 2021
Kirkus Reviews Issue: April 15, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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