Tackles highly sensitive subjects without the necessary care.
Almost a year after his sister Katie dies, Jude Banks turns himself in for her murder.
Jude is 12. Katie, less than a year younger, had been accelerated at school and started seventh grade alongside him. Before her death, the siblings were inseparable; afterward, Jude and his mother and father are awash with grief. Jude starts therapy and joins a sibling loss group where he makes friends with Clementine, who, like Jude, feels responsible for her sister’s death. Hood, whose own experience of tragic loss has informed some of her previous books, writes well, but she does not handle this subject matter appropriately for the target reading audience. The book slides back and forth unevenly in time, making it difficult for young readers to track Jude’s healing. Jude’s voice never sounds like that of a modern middle schooler—he’s alternately too innocent or too adult. His parents are one-dimensional. The book focuses relentlessly on awful details of grief, from Jude’s descriptively imagining his sister’s autopsy to a painful revelation about a baby that died to riffs on strange ways children have been killed. There is never any emotional let-up. Worst of all, when one character attempts suicide, several aspects of the narrative directly contraindicate best practices for safely discussing the topic in order to minimize the risk of suicide contagion. Many books have covered this subject matter well for this age group; young readers would do better elsewhere.
Tackles highly sensitive subjects without the necessary care. (Fiction. 8-12)Pub Date: May 18, 2021
ISBN: 978-0-593-09407-5
Page Count: 320
Publisher: Penguin Workshop
Review Posted Online: Feb. 25, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Readers can still rely on this series to bring laughs.
The Heffley family’s house undergoes a disastrous attempt at home improvement.
When Great Aunt Reba dies, she leaves some money to the family. Greg’s mom calls a family meeting to determine what to do with their share, proposing home improvements and then overruling the family’s cartoonish wish lists and instead pushing for an addition to the kitchen. Before bringing in the construction crew, the Heffleys attempt to do minor maintenance and repairs themselves—during which Greg fails at the work in various slapstick scenes. Once the professionals are brought in, the problems keep getting worse: angry neighbors, terrifying problems in walls, and—most serious—civil permitting issues that put the kibosh on what work’s been done. Left with only enough inheritance to patch and repair the exterior of the house—and with the school’s dismal standardized test scores as a final straw—Greg’s mom steers the family toward moving, opening up house-hunting and house-selling storylines (and devastating loyal Rowley, who doesn’t want to lose his best friend). While Greg’s positive about the move, he’s not completely uncaring about Rowley’s action. (And of course, Greg himself is not as unaffected as he wishes.) The gags include effectively placed callbacks to seemingly incidental events (the “stress lizard” brought in on testing day is particularly funny) and a lampoon of after-school-special–style problem books. Just when it seems that the Heffleys really will move, a new sequence of chaotic trouble and property destruction heralds a return to the status quo. Whew.
Readers can still rely on this series to bring laughs. (Graphic/fiction hybrid. 8-12)Pub Date: Nov. 5, 2019
ISBN: 978-1-4197-3903-3
Page Count: 224
Publisher: Amulet/Abrams
Review Posted Online: Nov. 18, 2019
SEEN & HEARD
Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and...
Catrina narrates the story of her mixed-race (Latino/white) family’s move from Southern California to Bahía de la Luna on the Northern California coast.
Dad has a new job, but it’s little sister Maya’s lungs that motivate the move: she has had cystic fibrosis since birth—a degenerative breathing condition. Despite her health, Maya loves adventure, even if her lungs suffer for it and even when Cat must follow to keep her safe. When Carlos, a tall, brown, and handsome teen Ghost Tour guide introduces the sisters to the Bahía ghosts—most of whom were Spanish-speaking Mexicans when alive—they fascinate Maya and she them, but the terrified Cat wants only to get herself and Maya back to safety. When the ghost adventure leads to Maya’s hospitalization, Cat blames both herself and Carlos, which makes seeing him at school difficult. As Cat awakens to the meaning of Halloween and Day of the Dead in this strange new home, she comes to understand the importance of the ghosts both to herself and to Maya. Telgemeier neatly balances enough issues that a lesser artist would split them into separate stories and delivers as much delight textually as visually. The backmatter includes snippets from Telgemeier’s sketchbook and a photo of her in Día makeup.
Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and unable to put down this compelling tale. (Graphic fiction. 8-12)Pub Date: Sept. 13, 2016
ISBN: 978-0-545-54061-2
Page Count: 256
Publisher: Scholastic
Review Posted Online: July 1, 2016
Kirkus Reviews Issue: July 15, 2016
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