by Ann Hood ‧ RELEASE DATE: Aug. 9, 2016
Whether or not they think of themselves as bookish, readers of all stripes will enjoy cycling through these characters’...
A mother and a daughter seek balance in their broken lives while books provide them with comfort, clarity, and clues to a mystery.
When Ava North joins her best friend’s long-running book club in Providence, Rhode Island, it is not to find solace from the long-ago deaths of her little sister and mother. That wound is locked up tight. Instead, it's because her husband of 25 years has left her for another woman, and Ava is bitter and lonely. So much so that she's a refreshingly cranky, reticent participant in the club, whose theme for the year is “The Book That Matters Most” to each member. It's somewhat suspect, but forgivable, that all the members save Ava choose well-regarded classics, but Hood (An Italian Wife, 2014, etc.) handles it with a light touch. Meanwhile, Ava’s problem child, Maggie, continues running with the wrong crowd when she abandons her study-abroad semester in Italy to haunt Paris, where she slips willingly into heroin addiction. There is momentum in the juxtaposition of Ava's and Maggie’s circumstances, one improving incrementally, one devolving steadily, into which the spice of intrigue is added: what were the circumstances of Ava’s sister’s death? What of her mother’s? Why is Maggie the way she is? And what does Ava’s little-known book pick—the book that matters most to her—have to do with all of it? Hood occasionally adds a slurry of unnecessary exposition but is more often able to limn fundamental character truths via well-placed details. She has a knack for dramatic revelation that feels natural, possibly because she is so skilled at knowing what to leave out.
Whether or not they think of themselves as bookish, readers of all stripes will enjoy cycling through these characters’ lives and discovering their shared, mysterious past.Pub Date: Aug. 9, 2016
ISBN: 978-0-393-24165-5
Page Count: 368
Publisher: Norton
Review Posted Online: May 16, 2016
Kirkus Reviews Issue: June 1, 2016
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by Susan Wiggs ‧ RELEASE DATE: Aug. 13, 2019
A lovely read—entertaining, poignant, and meaningful.
After facing tragedy and betrayal in New York, an aspiring fashion designer escapes to her idyllic Pacific coast hometown to raise her best friend’s two young children and finds inspiration, redemption, and love in the unexpected journey.
Caroline Shelby always dreamed of leaving tiny Oysterville, Washington, and becoming a couturier. After years of toil, she finally has a big break only to discover a famous designer has stolen her launch line. When she accuses him, he blackballs her, so she’s already struggling when her best friend, Angelique, a renowned model from Haiti whose work visa has expired, shows up on her doorstep with her two biracial children, running from an abusive partner she won’t identify. When Angelique dies of a drug overdose, Caroline takes custody of the kids and flees back to her hometown. She reconnects with her sprawling family and with Will and Sierra Jensen, who were once her best friends, though their relationships have grown more complicated since Will and Sierra married. Caroline feels guilty that she didn’t realize Angelique was abused and tries to make a difference when she discovers that people she knows in Oysterville are also victims of domestic violence. She creates a support group that becomes a welcome source of professional assistance when some designs she works on for the kids garner local interest that grows regional, then national. Meanwhile, restless Sierra pursues her own dreams, leading to Will and Caroline’s exploring some unresolved feelings. Wiggs’ latest is part revenge fantasy and part romantic fairy tale, and while some details feel too smooth—how fortunate that every person in the circle has some helpful occupation that benefits Caroline's business—Caroline has a challenging road, and she rises to it with compassion and resilience. Timelines alternating among the present and past, both recent and long ago, add tension and depth to a complex narrative that touches on the abuse of power toward women and the extra-high stakes when the women involved are undocumented. Finally, Wiggs writes about the children’s race and immigration status with a soft touch that feels natural and easygoing but that might seem unrealistic to some readers.
A lovely read—entertaining, poignant, and meaningful.Pub Date: Aug. 13, 2019
ISBN: 978-0-06-242558-4
Page Count: 384
Publisher: Morrow/HarperCollins
Review Posted Online: May 26, 2019
Kirkus Reviews Issue: June 15, 2019
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by Celeste Ng ‧ RELEASE DATE: Sept. 12, 2017
With her second novel, Ng further proves she’s a sensitive, insightful writer with a striking ability to illuminate life in...
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This incandescent portrait of suburbia and family, creativity, and consumerism burns bright.
It’s not for nothing that Ng (Everything I Never Told You, 2014) begins her second novel, about the events leading to the burning of the home of an outwardly perfect-seeming family in Shaker Heights, Ohio, circa 1997, with two epigraphs about the planned community itself—attesting to its ability to provide its residents with “protection forever against…unwelcome change” and “a rather happy life” in Utopia. But unwelcome change is precisely what disrupts the Richardson family’s rather happy life, when Mia, a charismatic, somewhat mysterious artist, and her smart, shy 15-year-old daughter, Pearl, move to town and become tenants in a rental house Mrs. Richardson inherited from her parents. Mia and Pearl live a markedly different life from the Richardsons, an affluent couple and their four high school–age children—making art instead of money (apart from what little they need to get by); rooted in each other rather than a particular place (packing up what fits in their battered VW and moving on when “the bug” hits); and assembling a hodgepodge home from creatively repurposed, scavenged castoffs and love rather than gathering around them the symbols of a successful life in the American suburbs (a big house, a large family, gleaming appliances, chic clothes, many cars). What really sets Mia and Pearl apart and sets in motion the events leading to the “little fires everywhere” that will consume the Richardsons’ secure, stable world, however, is the way they hew to their own rules. In a place like Shaker Heights, a town built on plans and rules, and for a family like the Richardsons, who have structured their lives according to them, disdain for conformity acts as an accelerant, setting fire to the dormant sparks within them. The ultimate effect is cataclysmic. As in Everything I Never Told You, Ng conjures a sense of place and displacement and shows a remarkable ability to see—and reveal—a story from different perspectives. The characters she creates here are wonderfully appealing, and watching their paths connect—like little trails of flame leading inexorably toward one another to create a big inferno—is mesmerizing, casting into new light ideas about creativity and consumerism, parenthood and privilege.
With her second novel, Ng further proves she’s a sensitive, insightful writer with a striking ability to illuminate life in America.Pub Date: Sept. 12, 2017
ISBN: 978-0-7352-2429-2
Page Count: 384
Publisher: Penguin Press
Review Posted Online: June 19, 2017
Kirkus Reviews Issue: July 1, 2017
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