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THE HOUSE ON Q STREET

Nostalgia and cultural narcissism with a mostly painted-by-numbers feel.

Simplistic and memoir-like historical about two girls coming of age as their scientist father works to help make WWII come out all right.

Childhood here means you ask lots of awkward rhetorical questions in interior monologue and learn about the adult world through the clunky devices of coincidence and eavesdropping. The Lindsten family moves to Washington, DC, shortly after Pearl Harbor so that protagonist Joey’s father can work with Robert Oppenheimer on the bomb. But does Poppy really need to stay out until midnight every night to beat a Hitler who might actually win this thing? The girls simply can’t understand the war except in terms of the mean rats in the house and the forced move from Cambridge. And what’s with Poppy? Is the only nice thing he can say to Mum that he likes her stew? Still, things look better when Oppenheimer contacts Joey’s father himself—Oppie calls Poppy (really)—and Joey has time to memorize bits of speeches of Roosevelt and Churchill and to worry about getting a bra from the five-and-ten. Details are largely recognizable: there are Spam dinners and Lucky Strikes ads, while everyone wants to know what Mrs. Roosevelt is into now. Oppie calls Poppy for an emergency meeting at the British embassy, but it doesn’t ruin the Lindsten family Christmas or divert Mum’s growing suspicions about Poppy. The years fly by: Poppy takes a job somewhere secret (read: Los Alamos), but the story’s main concern is whether Joey will win the Four Freedoms Essay Contest. And the questions Joey continually asks herself are the ones that pester us: “What did it mean that Mum seemed happier with Poppy gone and that they were having a good Christmas without him?”

Nostalgia and cultural narcissism with a mostly painted-by-numbers feel.

Pub Date: Oct. 1, 2002

ISBN: 1-880284-59-6

Page Count: 292

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 2002

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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BETWEEN SISTERS

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...

Sisters in and out of love.

Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.

Pub Date: May 1, 2003

ISBN: 0-345-45073-6

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 1, 2003

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