by Anne Lawrence-Mathers ‧ RELEASE DATE: Nov. 27, 2012
Sharp and enchanting.
A finely hewn portrait of the wizard Merlin from the 12th to the 16th centuries, when, in the eyes of the times, he was very much a real historical personage.
In the early years of the 12th century, Geoffrey of Monmouth wrote a book known as the History of the Kings of Britain. It was a hoax, but it was a book very much of its time, a huge best-seller, writes Lawrence-Mathers (Medieval History/Univ. of Reading) in this deeply satisfying survey of the famed magician. The author discusses Geoffrey and the other contemporary or near-contemporary historians at work, and she notes that one of the things that gave Geoffrey’s book such instant popularity was the fact that the emerging political entity known as Britain needed a history with substance, lineage and heroes, something to shore up its many dynastic insecurities. Merlin was just the man to deliver: an omniscient magician yet fallible and vulnerable, reader of the stars and the flights of birds, and, most of all, a prophet. Yet Merlin was a figment of Geoffrey’s imagination. He was not a figure at court, but arrived when needed; there is no intimation he was bedecked in pointed cap and astrological robes, but lived simply in near hermitlike circumstances deep in the woods. Thanks to Geoffrey's book, Merlin became a fixture in the popular, theological, political and romantic imagination. He was the right man in the right place, and other historians tapped into his popularity to buttress their work; his deeds didn’t stop with Geoffrey, but were embellished for another 400 years. Out of Merlin and his many gifts and prophesies, Geoffrey et al. made a history of a place, and there also emerged a dangerous theological and political edge comprised of fusing the magical tradition of the ancient world, the early Christian Church and the Celtic past. Lawrence-Mathers nimbly brings readers into the Middle Ages, during which most people believed in prophecy and magic as real, active things, when the Merlins of the world surely walked the land and saw what most did not.
Sharp and enchanting.Pub Date: Nov. 27, 2012
ISBN: 978-0-300-14489-5
Page Count: 256
Publisher: Yale Univ.
Review Posted Online: Sept. 12, 2012
Kirkus Reviews Issue: Oct. 1, 2012
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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