by Ann M. Martin & Laura Godwin & illustrated by Brian Selznick ‧ RELEASE DATE: Oct. 7, 2008
Fans of the first two Doll People stories will be thrilled with number three. China doll Annabelle and plastic doll Tiffany are ready for an adventure when the human Palmers leave on a two-week vacation, but when a mysterious box arrives, the dolls discover a baby doll is in inside! Annabelle is convinced it’s her lost baby sister. The only solution seems to be to take Tilly and run away. Risking “Permanent Doll State” numerous times, the girl dolls and their two brother dolls wind up in a toy store with antique and robotic dolls and the hateful, mean Mimi, returning from book two. How can they overcome their size obstacles and escape in time to get home before the humans return? Selznick’s charming, black-and-white scenarios make the doll personalities believable; he adds a number of full-page drawings at the beginning (à la Hugo Cabret) that build the drama, while the action leaves plenty of dollhouse room for future escapades. Hmmm, the dolls visit Dollywood? (Fantasy. 8-11)
Pub Date: Oct. 7, 2008
ISBN: 978-0-7868-5584-1
Page Count: 288
Publisher: Hyperion
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2008
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by Ann M. Martin & Laura Godwin ; illustrated by Brett Helquist
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by Natalie Babbitt ‧ RELEASE DATE: Nov. 1, 1975
However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the...
At a time when death has become an acceptable, even voguish subject in children's fiction, Natalie Babbitt comes through with a stylistic gem about living forever.
Protected Winnie, the ten-year-old heroine, is not immortal, but when she comes upon young Jesse Tuck drinking from a secret spring in her parents' woods, she finds herself involved with a family who, having innocently drunk the same water some 87 years earlier, haven't aged a moment since. Though the mood is delicate, there is no lack of action, with the Tucks (previously suspected of witchcraft) now pursued for kidnapping Winnie; Mae Tuck, the middle aged mother, striking and killing a stranger who is onto their secret and would sell the water; and Winnie taking Mae's place in prison so that the Tucks can get away before she is hanged from the neck until....? Though Babbitt makes the family a sad one, most of their reasons for discontent are circumstantial and there isn't a great deal of wisdom to be gleaned from their fate or Winnie's decision not to share it.
Pub Date: Nov. 1, 1975
ISBN: 0312369816
Page Count: 164
Publisher: Farrar, Straus and Giroux
Review Posted Online: April 13, 2012
Kirkus Reviews Issue: Nov. 1, 1975
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by Valerie Worth & illustrated by Natalie Babbitt
by Nick Bruel ; illustrated by Nick Bruel ‧ RELEASE DATE: Dec. 29, 2020
This kid-friendly satire ably sets claws into a certain real-life franchise.
A trip to the Love Love Angel Kitty World theme park (“The Most Super Incredibly Happy Place on Earth!”) turns out to be an exercise in lowered expectations…to say the least.
When Uncle Murray wins a pair of free passes it seems at first like a dream come true—at least for Kitty, whose collection of Love Love Kitty merch ranges from branded underwear to a pink chainsaw. But the whole trip turns into a series of crises beginning with the (as it turns out) insuperable challenge of getting a cat onto an airplane, followed by the twin discoveries that the hotel room doesn’t come with a litter box and that the park doesn’t allow cats. Even kindhearted Uncle Murray finds his patience, not to say sanity, tested by extreme sticker shock in the park’s gift shop and repeated exposures to Kitty World’s literally nauseating theme song (notation included). He is not happy. Fortunately, the whole cloying enterprise being a fiendish plot to make people so sick of cats that they’ll pick poultry as favorite pets instead, the revelation of Kitty’s feline identity puts the all-chicken staff to flight and leaves the financial coffers plucked. Uncle Murray’s White, dumpy, middle-aged figure is virtually the only human one among an otherwise all-animal cast in Bruel’s big, rapidly sequenced, and properly comical cartoon panels.
This kid-friendly satire ably sets claws into a certain real-life franchise. (Graphic satire. 8-11)Pub Date: Dec. 29, 2020
ISBN: 978-1-250-20808-8
Page Count: 160
Publisher: Roaring Brook Press
Review Posted Online: Sept. 28, 2020
Kirkus Reviews Issue: Oct. 15, 2020
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by Nick Bruel ; illustrated by Nick Bruel
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