Inspiring fodder for an electoral—or any other—year.
In spare and elegant free verse, Malaspina shares a vivid act of civil disobedience.
Susan B. Anthony registered to vote in Rochester, N.Y., on November 1, 1872. She and 15 other women cast their ballots four days later, hoping that the new 14th Amendment, which stated that “All persons born or naturalized in the United States…are citizens of the United States,” would permit all women the right to vote. Instead, she was arrested and brought to trial, found guilty because women were not permitted the vote, and fined $100, which she never paid. James fills the pages with strongly modeled images and many close-ups of Susan’s face and the faces of judge, jury, police officers and followers. He makes their faces mobile and intense, so children can feel the force of these ideas as well as hear the words. The refrain, set in larger and alternate type, is “Outrageous. / Unbelievable. / True,” carrying the emotion and idea forward in an accessible and powerful way. The book opens with the text of the 14th and 19th Amendments and closes with facsimiles of a newspaper cartoon, a photograph and Susan B. Anthony’s letter to her close friend Elizabeth Cady Stanton: “Well I have been & gone & done it!!—positively voted.…”
Inspiring fodder for an electoral—or any other—year. (afterword, bibliography) (Picture book/nonfiction. 5-9)Pub Date: Sept. 1, 2012
ISBN: 978-0-8075-3188-4
Page Count: 32
Publisher: Whitman
Review Posted Online: July 21, 2012
Kirkus Reviews Issue: Aug. 1, 2012
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Weatherford and Christie dazzlingly salute African-Americans’ drive to preserve their dignity and pride.
Count down the days until Sunday, a day for slaves in New Orleans to gather together and remember their African heritage.
In rhyming couplets, Weatherford vividly describes each day of nonstop work under a “dreaded lash” until Sunday, when slaves and free blacks could assemble in Congo Square, now a part of New Orleans’ Louis Armstrong Park and on the National Register of Historic Places. Musicians “drummed ancestral roots alive” on different traditional instruments, and men and women danced. They also exchanged information and sold wares. The poetry is powerful and evocative, providing a strong and emotional window into the world of the slave. Christie’s full-bleed paintings are a moving accompaniment. His elongated figures toil in fields and in houses with bent backs under the watchful eyes of overseers with whips. Then on Sunday, they greet one another and dance with expressively charged spirits. One brilliant double-page spread portrays African masks and instruments with swirling lines of text; it is followed by another with four dancers moving beautifully—almost ethereally—on a vibrant yellow collage background. As the author notes, jazz would soon follow from the music played in Congo Square.
Weatherford and Christie dazzlingly salute African-Americans’ drive to preserve their dignity and pride. (foreword, glossary, author’s note) (Picture book. 5-9)Pub Date: Jan. 5, 2016
ISBN: 978-1-4998-0103-3
Page Count: 40
Publisher: Little Bee Books
Review Posted Online: Oct. 13, 2015
Kirkus Reviews Issue: Nov. 1, 2015
A stirring tale that fosters respect for Native peoples.
Anishinaabe creators Fairbanks and George encourage young people to consider the history behind the land they live on.
At home, surrounded by family, a white-presenting child with long red hair contemplates the past. “Before us, another family lived here. Before that, another family lived here, too. And another. And another.” The unnamed narrator recounts how European colonizers expelled Native Americans from their homes and forced them onto reservations. An Anishinaabe boy named TJ, who’s friends with the protagonist, and his grandmother Noko have taught the young narrator to honor Indigenous peoples’ connection to the land. They remind the protagonist that “Indigenous people have always been here, and they’re still here, wherever we go.” The child reflects on these principles often: “Now, whenever my family goes somewhere, I ask, ‘Who lived here before the people who live here now?’” Thoughtful backmatter urges readers to take land acknowledgments seriously and to find ways to act beyond merely cultivating awareness. Though the book’s lessons will resonate more with non-Native audiences, many young Native readers will appreciate the reverence shown to Indigenous people (past and present). Accompanied by engaging, comic-style artwork, this is a gentle, age-appropriate introduction to Indigenous history and cultures.
A stirring tale that fosters respect for Native peoples. (discussion questions, learn more about Indigenous people in your area) (Picture book. 5-9)Pub Date: Aug. 27, 2024
ISBN: 9780593651445
Page Count: 40
Publisher: Crown
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
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