Brilliant.
Combining an unerring instinct for telling detail with the broader brushstrokes you need to tackle issues of culture and politics, Patchett (The Magician’s Assistant, 1997, etc.) creates a remarkably compelling chronicle of a multinational group of the rich and powerful held hostage for months.
An unnamed impoverished South American country hopes to woo business from a rich Japanese industrialist, Mr. Hosokawa, by hosting a birthday party at which his favorite opera singer, Roxane Coss, entertains. Because the president refuses to miss his soap opera, the vice-president hosts the party. An invading band of terrorists, who planned to kidnap the president, find themselves instead with dozens of hostages on their hands. They free the less important men and all the women except Roxane. As the remaining hostages and their captors settle in, Gen, Mr. Hosokawa’s multilingual translator, becomes the group’s communication link, Roxane and her music its unifying heart. Patchett weaves individual histories of the hostages and the not-so-terrifying terrorists within a tapestry of their present life together. The most minor character breathes with life. Each page is dense with incident, the smallest details magnified by the drama of the situation and by the intensity confinement always creates. The outside world recedes as time seems to stop; the boundaries between captive and captor blur. In pellucid prose, Patchett grapples with issues of complexity and moral ambiguity that arise as confinement becomes not only a way of life but also for some, both hostage and hostage-taker, a life preferable to their previous existence. Readers may intellectually reject the author’s willingness to embrace the terrorists’ humanity, but only the hardest heart will not succumb. Conventional romantic love also flowers, between Gen and Carmen, a beguilingly innocent terrorist, between Mr. Hosokawa and Roxane. Even more compelling are the protective, almost familial affections that arise, the small acts of kindness in what is, inevitably, a tragedy.
Brilliant.Pub Date: June 2, 2001
ISBN: 0-06-018873-1
Page Count: 304
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2001
SEEN & HEARD
PERSPECTIVES
A well-written but not especially engaging entry in London’s contemporary cowboy series.
In Book 3 of the Princes of Texas series (The Devil in the Saddle, 2019, etc.), a restless rancher is torn between the family business and bigger dreams.
Nick Prince’s dreams of becoming a commercial airline pilot were dashed when he inherited the family’s struggling business, Saddlebush Land and Cattle Company, after his father’s death 18 months ago. Deeply unsatisfied with the cattle rancher life, Nick is grumpy and brooding. His capable office manager, Charlotte Bailey, is a bubbly extrovert who enjoys needling Nick over their differing organization styles and his general moodiness. Sexual tension simmers just below the surface of their banter ever since their steamy encounter at the company Christmas party two years ago. Nick tries to put Charlotte out of his mind so he can focus on fixing up the family finances and leaving for flight school, but neither can resist flirting. Charlotte is funny, loving, and adores their little town of Three Rivers. She likes her job and wants to settle down and start a family, but she knows Nick is not ready: “Why did it have to be so hot and tense between them when he was the one guy who would never be the man she wanted?” Eventually, they give in to their desires and spend more time together, but the central conflict remains. Nick’s dithering and complaining wear thin, but he is surrounded by a lively group of family and friends who offer advice he mostly ignores. An engaging subplot, especially one that foregrounds life on the ranch, might have generated more excitement.
A well-written but not especially engaging entry in London’s contemporary cowboy series.Pub Date: March 3, 2020
ISBN: 978-0-451-49239-5
Page Count: 368
Publisher: Jove/Penguin
Review Posted Online: Jan. 26, 2020
Kirkus Reviews Issue: Feb. 15, 2020
Suspenseful, glamorous story of love, blackmail, and magic, set in New Orleans and Washington, D.C., about a family of high-class magicians practicing the time-honored profession of thievery. When magician Maxmillian Nouvelle adopts the 12-year-old runaway Luke Callahan, he gives him more than a family: He teaches him the secrets of blending what's real and what's not...giving people what they want—and also taking what they value. For the Great Nouvelle is a master jewel-thief; stealing from the undeserving rich warms his blood like the anticipation of good sex, a passion that both Luke and Max's bratty daughter Raxanne eventually share. Thirteen years pass: As Luke practices the fine arts of larceny and escapology, Roxanne grows into a flame-haired witch who turns bell, book, and candle into smoke onstage. Offstage, she trades in her David Cassidy poster for Luke; together, they set off sparks that could make an innocent bystander..go up in flames. But Luke's invincibility, like the Great Houdini's, is deceptive: Slimy Sam Wyatt—a former grifter now running for the Senate—slithers in from Luke's past, his frigid heart full of contempt for the family he once tried to seam. He threatens to frame Luke for murder and expose the Nouvelles' after-hours show unless he disappears. Five years later, a homesick Luke reappears, determined to show the disillusioned Roxanne that he's more than smoke and mirrors. Together, they set out to plot vengeance, staking everything on their most daring sting to date. True to the magician's oath, Roberts reveals no secrets, but the illusion works—in a compelling and detail-rich first hardcover. Good escape reading.
Pub Date: July 17, 1992
ISBN: 0-399-13761-0
Page Count: 384
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 1992
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