Wise, humane and always insightful.
A well-organized collection of a beloved, award-winning writer’s nonfiction essays about her personal and literary lives.
Most readers know Patchett (State of Wonder, 2011, etc.) for her richly imaginative fiction. But before she found success as a novelist, she supported herself by writing nonfiction for a diverse variety of magazines, including Seventeen, Mercedes Benz Magazine and Bridal Guide. In this book, Patchett gathers 22 essays published between 1997 and 2012. What she ultimately produces is a text that is part meditation on the writing life and part literary memoir. From an early age, the Los Angeles native knew she wanted to be a writer, but she would be an adult before she realized that, in addition to making art, storytellers “also [had] to make a living.” After stints as a cook, waitress and teacher, she discovered that writing nonfiction could pay her bills. It would only be much later that she understood how writing nonfiction had transformed her into “a workhorse,” abolished her ego and impacted the future readers of her novels in ways she never expected. Patchett also reflects on her literary successes, as well as on the controversy surrounding Truth & Beauty (2004), which explores the emotionally intense relationship she had with fellow Iowa Writers’ Workshop graduate Lucy Grealy. The personal essays reflect a wide range of experiences. In one, she reflects on the rocky childhood that led her away from LA and on to Nashville. In another, she reflects on her failed first marriage and second successful one. Patchett also shares stories of how she learned to appreciate opera, qualified for the LA police academy and unexpectedly became part owner of an independent bookstore. Readable and candid, Patchett’s collection is a joyful celebration of life, love and the written word.
Wise, humane and always insightful.Pub Date: Nov. 5, 2013
ISBN: 978-0-06-223667-8
Page Count: 320
Publisher: Harper/HarperCollins
Review Posted Online: Sept. 15, 2013
Kirkus Reviews Issue: Oct. 1, 2013
PROFILES
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
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