The conflicts here are big—abandonment, grief, race, the unfairness of fate. The healing powers of sisterhood are comforting...
Half sisters Sky and Tara have, at best, a fragile bond. Will it be enough to save them?
Pearlman (The Christmas Cookie Club, 2010, etc.) offers another warm tale of sisters rescuing each other. As children, Sky and Tara had a wary relationship. Sky’s father died when she was seven, and Tara’s father abandoned her. Each jealous of the other—“at least you knew your father” counters “at least your father is alive somewhere”—neither realizes that having each other is enough. That is, not until tragedy strikes. All grown up, Tara has it all. In an interracial relationship with Aaron, her band mate, she has a beloved child, Levy. Their rap band, Special Intent and Li’l Key, is on the road and poised for stardom. She may even have the opportunity to strike out on her own as a solo act. That is, if she is willing to abandon Aaron and accept the rather creepy attentions of King, the music mogul. Sky has it all, too. Married to her childhood sweetheart, Troy, she has a promising job as an attorney. After many miscarriages and stillborn births, Sky and Troy finally have their beloved Rachel. Suddenly, Troy falls ill, and no antibiotics can eradicate the MRSA from his body. Utterly bereft, Sky can barely acknowledge her own daughter, much less her sister. Among the women who swoop in to help her recover are familiar faces from The Christmas Cookie Club: Marnie, Sissy and Allie. The Plan? Send Sky home with Tara’s traveling band. This, of course, gives the sisters time to work out their relationship. And after screaming arguments, the near death of another loved one and finally released prejudices, the two begrudgingly learn to trust, love and respect each other.
The conflicts here are big—abandonment, grief, race, the unfairness of fate. The healing powers of sisterhood are comforting but, in the end, the resolution is too easy.Pub Date: May 1, 2012
ISBN: 978-1-4391-5949-1
Page Count: 288
Publisher: Emily Bestler/Atria
Review Posted Online: May 5, 2012
Kirkus Reviews Issue: May 15, 2012
BOOK REVIEW
BOOK REVIEW
While there’s little new ground broken, the missing child scenario, when done reasonably well, as it is here, is a reliable...
The search for a missing boy is seen through the split perspective of his frantic mother and the police detective determined to solve the case, despite its deleterious effect on his psychological health.
Newly divorced photographer mum Rachel Jenner thought she was giving her 8-year-old son, Ben Finch, a bit of freedom when she let him run ahead during a walk in a Bristol park. But when Ben vanishes, Rachel immediately blames herself, and the media is quick to paint her as a neglectful parent, too. Macmillan, in her debut, leans a bit hard on the “bad mother” trope, one that’s been well-trodden in recent fiction, but she creates a compellingly complex investigator in DI Jim Clemo. The narrative is split not only between Rachel's and Clemo’s perspectives, but also Clemo’s post-investigation sessions with a department-ordered shrink, indicating that however the Finch investigation turned out, it wasn’t pretty. As Rachel waits and frets at home, often in the company of her high-achieving older sister, Nicky, who clearly knows more than she lets on, Clemo and his fellow officers, including his secret girlfriend, DC Emma Zhang, whom he perhaps unwisely recommended as Family Liaison Officer for the case, try to piece together a case from a dearth of physical evidence. The requisite family secrets come to light, though Macmillan gets credit for some truly clever red herrings.
While there’s little new ground broken, the missing child scenario, when done reasonably well, as it is here, is a reliable hook, and with Macmillan’s taut pacing, this is an engaging debut.Pub Date: Dec. 1, 2015
ISBN: 978-0-06-241386-4
Page Count: 448
Publisher: Morrow/HarperCollins
Review Posted Online: Nov. 2, 2015
BOOK REVIEW
BOOK REVIEW
Wrenching, as befits the grim subject matter, but also tender, touching and at times unexpectedly funny.
Talented, versatile Donoghue (The Sealed Letter, 2008, etc.) relates a searing tale of survival and recovery, in the voice of a five-year-old boy.
Jack has never known a life beyond Room. His Ma gave birth to him on Rug; the stains are still there. At night, he has to stay in Wardrobe when Old Nick comes to visit. Still, he and Ma have a comfortable routine, with daily activities like Phys Ed and Laundry. Jack knows how to read and do math, but has no idea the images he sees on the television represent a real world. We gradually learn that Ma (we never know her name) was abducted and imprisoned in a backyard shed when she was 19; her captor brings them food and other necessities, but he’s capricious. An ugly incident after Jack attracts Old Nick’s unwelcome attention renews Ma’s determination to liberate herself and her son; the book’s first half climaxes with a nail-biting escape. Donoghue brilliantly shows mother and son grappling with very different issues as they adjust to freedom. “In Room I was safe and Outside is the scary,” Jack thinks, unnerved by new things like showers, grass and window shades. He clings to the familiar objects rescued from Room (their abuser has been found), while Ma flinches at these physical reminders of her captivity. Desperate to return to normalcy, she has to grapple with a son who has never known normalcy and isn’t sure he likes it. In the story’s most heartbreaking moments, it seems that Ma may be unable to live with the choices she made to protect Jack. But his narration reveals that she’s nurtured a smart, perceptive and willful boy—odd, for sure, but resilient, and surely Ma can find that resilience in herself. A haunting final scene doesn’t promise quick cures, but shows Jack and Ma putting the past behind them.
Wrenching, as befits the grim subject matter, but also tender, touching and at times unexpectedly funny.Pub Date: Sept. 13, 2010
ISBN: 978-0-316-09833-5
Page Count: 336
Publisher: Little, Brown
Review Posted Online: July 13, 2010
Kirkus Reviews Issue: Aug. 1, 2010
BOOK TO SCREEN
SEEN & HEARD
SEEN & HEARD
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