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MILTON

POET, PAMPHLETEER, AND PATRIOT

A well-researched, graceful account of the life of a literary giant.

Rich, often laudatory biography of the creator of Paradise Lost.

John Milton’s life (1608–74) encompassed one of the most turbulent periods in English history, notes Beer (Literature/Oxford Univ.; My Just Desire: The Life of Bess Ralegh, Wife to Sir Walter, 2003, etc.). A civil war, a beheaded king, a democracy that turned into dictatorship, a restoration of royalty, plague and the Great Fire are among the events that shaped his destiny. Beer’s Milton emerges as a courageous, often wildly incautious republican whose life was more than once in jeopardy, though he was merely jailed while heads of his allies rolled. He was also a classical scholar nonpareil, one of the first political pamphleteers and, of course, a master of blank verse and of just about every other poetical form he attempted. Beer often digresses from the chronological narrative to examine such material as street life in Milton’s native London, his attitudes toward women’s education, his participation in the theological and political debates of the day and the titillating question of whether the revered author of a great religious poem at any point in his life “turn’d pure Italian” (i.e., had homosexual affairs). Readers will surely wince at her horrific account of contemporary medical practices, which did little to help Milton when he began going blind in 1644, or during his final torments from renal failure. Not wanting to try the patience of general readers by venturing too far into the deep end of prosody’s pool, the author tends to praise more than analyze, and she occasionally offers block quotations from sources identified only in the end notes. Still, Beer takes us on an educative and often inspiring journey through Milton’s life and major works, dealing as best she can with the paucity of personal information (no family letters survive) and careful to note when she is speculating and when she is not.

A well-researched, graceful account of the life of a literary giant.

Pub Date: Aug. 1, 2008

ISBN: 978-1-59691-471-1

Page Count: 480

Publisher: Bloomsbury

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2008

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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