A rich source of terrors both real and manufactured, equally effective in broad daylight or beneath the bedcovers.

READ REVIEW

DON'T READ THIS BOOK BEFORE BED

THRILLS, CHILLS, AND HAUNTINGLY TRUE STORIES

A compendium of paranormal doings, natural horrors, and eerie wonders worldwide and (in several senses) beyond.

Maladroit title aside (“…in Bed” would make more sense, cautionwise), this collection of hauntings, cryptids, natural and historical mysteries, and general titillation (“Vampire bats might be coming for you!”) offers a broad array of reasons to stay wide awake. Arranged in no discernible order the 60-plus entries include ghostly sightings in the White House and various castles, body-burrowing guinea worms, the Nazca lines of Peru, Mothman and Nessie, the hastily abandoned city of Pripyat (which, thanks to the Chernobyl disaster, may be habitable again…in 24,000 years), monarch-butterfly migrations, and diverse rains of fish, frogs, fireballs, and unidentified slime. Each is presented in a busy whirl of narrative blocks, photos, graphics, side comments, and arbitrary “Fright-O-Meter” ratings (Paris’ “Creepy Catacombs” earn just a “4” out of 10 and black holes a “3,” but the aforementioned aerial amphibians a full “10”). The headers tend toward the lurid: “Jelly From Space,” “Zombie Ants,” “Mongolian Death Worm.” Claybourne sprinkles multiple-choice pop quizzes throughout for changes of pace.

A rich source of terrors both real and manufactured, equally effective in broad daylight or beneath the bedcovers. (Nonfiction. 9-12)

Pub Date: Aug. 1, 2017

ISBN: 978-1-4263-2841-1

Page Count: 144

Publisher: National Geographic

Review Posted Online: May 15, 2017

Kirkus Reviews Issue: June 1, 2017

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THE ARABIAN NIGHTS

In a large, handsome format, Tarnowska offers six tales plus an abbreviated version of the frame story, retold in formal but contemporary language and sandwiched between a note on the Nights’ place in her childhood in Lebanon and a page of glossary and source notes. Rather than preserve the traditional embedded structure and cliffhanger cutoffs, she keeps each story discrete and tones down the sex and violence. This structure begs the question of why Shahriyar lets Shahrazade [sic] live if she tells each evening’s tale complete, but it serves to simplify the reading for those who want just one tale at a time. Only the opener, “Aladdin and the Wonderful Lamp,” is likely to be familiar to young readers; in others a prince learns to control a flying “Ebony Horse” by “twiddling” its ears, contending djinn argue whether “Prince Kamar el Zaman [or] Princess Boudour” is the more beautiful (the prince wins) and in a Cinderella tale a “Diamond Anklet” subs for the glass slipper. Hénaff’s stylized scenes of domed cityscapes and turbaned figures add properly whimsical visual notes to this short but animated gathering. (Folktales. 10-12)

 

Pub Date: Dec. 1, 2010

ISBN: 978-1-84686-122-2

Page Count: 128

Publisher: Barefoot

Review Posted Online: Dec. 22, 2010

Kirkus Reviews Issue: Nov. 15, 2010

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A handy and helpful guide for any aspiring web user.

HOW TO BE A BLOGGER AND VLOGGER IN 10 EASY LESSONS

LEARN HOW TO CREATE YOUR OWN BLOG, VLOG, OR PODCAST AND GET IT OUT IN THE BLOGOSPHERE!

From the Super Skills series

Some popular forms of online self-expression get the how-to treatment.

This brisk read provides 10 lessons for those interested in bringing their voices to the internet, covering blogs, vlogs, podcasts, and everything that goes with them. The book expands upon these lessons in each chapter. For example, the “Record Your Podcast” chapter not only covers basic podcasting formats, but highlights the anatomy of a podcast, how long shows should be, theme-music development, and more. The instruction is nicely digestible for the target audience of enterprising preteens. (Their grandparents might also pick up wisdom here.) The book also features a section dedicated to internet safety, one all kids should read regardless of their online ambitions. The graphics and charts are serviceable, featuring racially diverse children and dutifully breaking up the chunks of text in a format that’s easy on the eyes. A chapter focused on developing audience is especially helpful to those looking to get their voices heard. But above all, the book positions online expression as equal to any other form of artistic expression: maintaining a web series is just as valid as photography or painting in the eyes of the book’s audience, and the author treats the subject as such without trying to talk down to readers or exaggerate. The lessons are taught in the best kind of way: the way that will get kids to listen.

A handy and helpful guide for any aspiring web user. (Nonfiction. 9-12)

Pub Date: July 1, 2016

ISBN: 978-1-63322-105-5

Page Count: 64

Publisher: Walter Foster Jr.

Review Posted Online: May 14, 2016

Kirkus Reviews Issue: June 1, 2016

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