The authors are artists who worked with a group of formerly homeless children to paint a mural on the wall of the South Bronx apartment building in which the children and their families were then living. Using sections of the mural as illustrations, they've constructed a fantasy about a homeless child joining a mysterious ``building parade,'' at the end of which the child receives a home. The bilingual story is rather contrived, but the murals are striking—full of movement, color, and dreamlike images: one window is framed by a bright circus wagon driven by a bearded man in a top hat and drawn by a hooded green creature that might have escaped from Dr. Seuss; blossoms, stars, moons, and trees in improbable colors drift through a midnight-blue sky; five people holed up a doll-sized apartment building with its windows, like TV screens, showing happy domestic scenes; angels with African and Hispanic faces watch over all. At the end, two foldout pages show how the mural fits together and tell how it came to be painted—the true story, unfortunately, is a lot more interesting than the fantasy it supposedly inspired. (Picture book. 4-8)
Pub Date: May 3, 1993
ISBN: 0-517-59339-4
Page Count: 32
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 1993
In the siblings' latest adventure, their grandmother is having a birthday (again! see Bunny Cakes, p. 67), so Ruby takes Max shopping. A music box with skating ballerinas is Ruby's idea of the perfect present; Max favors a set of plastic vampire teeth. Ruby's $15 goes fast, and somehow, most of it is spent on Max. The music box of Ruby's dreams costs $100, so she settles for musical earrings instead. There isn't even a dollar left for the bus, so Max digs out his lucky quarter and phones Grandma, who drives them home—happily wearing her new earrings and vampire teeth. As ever, Wells's sympathies are with the underdog: Max, in one-word sentences, out-maneuvers his officious sister once again. Most six- year-olds will be able to do the mental subtraction necessary to keep track of Ruby's money, and Wells helps by illustrating the wallet and its dwindling contents at the bottom of each page where a transaction occurs. Younger children may need to follow the author's suggestion and have an adult photocopy the ``bunny money'' on the endpapers, so they can count it out. Either way, the book is a great adjunct to primary-grade math lessons. (Picture book. 4-7)
Pub Date: Sept. 1, 1997
ISBN: 0-8037-2146-3
Page Count: 32
Publisher: Dial Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1997
A disappointing exploration of career options from an entertainer who should know better. Maybe it has something to do with the decision to take the "Weird" out of his authorial name, but musical satirist Yankovic doesn't deliver the kind of precise zaniness adults of a certain generation will expect. Little Billy may be small in stature, but he doesn't limit his thinking when it comes to what he'll be when he grows up. As soon as Mrs. Krupp gives him the floor at show-and-tell, he grabs it and doesn't let go, reeling out a dizzying series of potential careers. Beginning with 12 rhyming couplets on what kind of a chef he might be, he follows up with snail trainer, machinist, giraffe milker, artist and on and on. At its best, the verse approaches Seussian: "maybe I'll be the lathe operator / Who makes the hydraulic torque wrench calibrator / Which fine-tunes the wrench that's specifically made / To retighten the nuts in the lateral blade." But the pacing never allows readers to stop and chuckle at the foolishness, and it doesn't leave enough room for Hargis' light, humorous cartoons to expand and ramp up the goof factor. In children's books, as in satire, less is more—here's hoping Weird Al's next effort is both tighter and funnier. (Picture book. 5-8)
Pub Date: Feb. 1, 2011
ISBN: 978-0-06-192691-4
Page Count: 40
Publisher: Harper/HarperCollins
Review Posted Online: April 5, 2011
Kirkus Reviews Issue: Jan. 15, 2011
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