This companion to The Farewell Symphony (2000) and Pictures at an Exhibition (2003) melodramatically recounts the genesis of Beethoven’s Third Symphony. Unable to stave off his growing deafness, the young composer switches from renowned concert pianist to composer, casts about for inspiration (“Something great, someone heroic”) before selecting Napoleon. He labors over each movement in turn (“ ‘The indescribable joy of being alive!’ shouted Ludwig, banging out a few chords on the piano”), then nearly destroys his work (“I did not write my symphony for a tyrant!”) when Bonaparte declares himself Emperor. Though the faces in Kitchel’s illustrations are as wooden as the dialogue, Beethoven’s shock of black hair underscores his inner turmoil, and fanciful scenes will help unpracticed listeners visualize the scenarios behind the symphony’s movements. Focusing less on the composer’s entire career than on its watershed moment, this isn’t as illuminating as M.T. Anderson’s Handel: Who Knew What He Wanted (2001) or Mordicai Gerstein’s What Charlie Heard (2002), but it does fill in historical and musical background. (afterword, CD) (Picture book/nonfiction. 9-11)
Pub Date: Feb. 1, 2004
ISBN: 1-57091-509-1
Page Count: 32
Publisher: Charlesbridge
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2004
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Who is next in the ocean food chain? Pallotta has a surprising answer in this picture book glimpse of one curious boy. Danny, fascinated by plankton, takes his dory and rows out into the ocean, where he sees shrimp eating those plankton, fish sand eels eating shrimp, mackerel eating fish sand eels, bluefish chasing mackerel, tuna after bluefish, and killer whales after tuna. When an enormous humpbacked whale arrives on the scene, Danny’s dory tips over and he has to swim for a large rock or become—he worries’someone’s lunch. Surreal acrylic illustrations in vivid blues and red extend the story of a small boy, a small boat, and a vast ocean, in which the laws of the food chain are paramount. That the boy has been bathtub-bound during this entire imaginative foray doesn’t diminish the suspense, and the facts Pallotta presents are solidly researched. A charming fish tale about the one—the boy—that got away. (Picture book. 4-8)
Pub Date: Feb. 1, 2000
ISBN: 0-88106-075-5
Page Count: 32
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2000
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
This latest Froggy title (Froggy Goes to School, 1996, etc.) is utterly unfocused, with the star careening from soccer dolt to Mr. Superkick. Froggy’s team has a big game coming up with the Wild Things, and he is trying to remember the mantra his father, and assistant coach, taught him: “Head it! Boot it! Knee it! Shoot it! But don’t use your hands!” But illegally touching the ball seems to be the least of Froggy’s worries; distraction is his problem. He is so busy turning cartwheels, tying his shoes, and more, that the only time he makes contact with the ball is when it bounces off his head by mistake. Then, when the Wild Things make a breakaway, Froggy has some dazzling moves to avert a score, but forgetfully grabs the ball at the last second. The other team gets a penalty kick, converts it, but then Froggy makes a field-long kick for a game-winning score. London forces Froggy into too many guises—the fool, the hero, the klutz, the fancy dancer—but none of them stick. Remkiewicz’s illustrations have charm; it is in their appeal that this book will find its audience. (Picture book. 2-6)
Pub Date: March 1, 1999
ISBN: 0-670-88257-7
Page Count: 32
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 1999
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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