by Anna Jarzab ‧ RELEASE DATE: Oct. 9, 2012
A layered meditation on family and belief that will ring true for faith-questing teens.
A teenage girl comes to terms with her sister’s secret past and her own spirituality in this sophomore title by the author of All Unquiet Things (2010).
Eight years ago, 16-year-old Caro’s older sister Hannah left home to join a convent, and Caro hasn’t had much of a relationship with her or God since. “[After] Hannah left, God stayed up in the attic, like the toys and old clothes I’d outgrown that my mother couldn’t bring herself to part with.” But now, Hannah is coming home after telling the Sisters of Grace that she is renouncing her vows, and Caro couldn’t be more angry and confused. She lies to her friends and new boyfriend about Hannah’s prolonged absence and fights with her parents constantly. It is only after she understands the tragic reason why Hannah is so sad and withdrawn that she begins to open up to the idea of making a new connection with her sister. Though the author takes many, many pages to reveal Hannah’s secret, it is time well-spent, providing nuanced characterizations of not only conflicted Caro, but of her troubled parents and her kindly, philosophical priest, Father Bob. It’s a rare teen novel that both tackles religion and creates fully realized adult characters, and Jarzab handles it all gracefully.
A layered meditation on family and belief that will ring true for faith-questing teens. (Fiction. 12 & up)Pub Date: Oct. 9, 2012
ISBN: 978-0-385-73836-1
Page Count: 464
Publisher: Delacorte
Review Posted Online: Aug. 28, 2012
Kirkus Reviews Issue: Sept. 15, 2012
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New York Times Bestseller
by Lynn Painter ‧ RELEASE DATE: May 4, 2021
Exactly what the title promises.
Awards & Accolades
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Our Verdict
GET IT
New York Times Bestseller
A grieving teen’s devotion to romance films might ruin her chances at actual romance.
Liz Buxbaum has always adored rom-coms, not least for helping her still feel close to her screenwriter mother, who died when she was little. Liz hopes that her senior year might turn into a real-life romantic fantasy, as an old crush has moved back to town, cuter and nicer than ever. Surely she can get Michael to ask her to prom. If only Wes, the annoying boy next door, would help her with her scheming! This charming, fluffy concoction manages to pack into one goofy plot every conceivable trope, from fake dating to the makeover to the big misunderstanding. Creative, quirky, daydreaming Liz is just shy of an annoying stereotype, saved by a dry wit and unresolved grief and anger. Wes makes for a delightful bad boy with a good heart, and supporting characters—including a sassy best friend, a perfect popular rival, even a (not really) evil stepmother—all get the opportunity to transcend their roles. The only villain here is Liz’s lovelorn imagination, provoking her into foolish lies that cause actual hurt feelings; but she is sufficiently self-aware to make amends just in time for the most important trope of all: a blissfully happy ending. All characters seem to be White by default.
Exactly what the title promises. (Romance. 12-18)Pub Date: May 4, 2021
ISBN: 978-1-5344-6762-0
Page Count: 368
Publisher: Simon & Schuster
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
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BOOK TO SCREEN
by Daniel Aleman ‧ RELEASE DATE: May 4, 2021
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
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