This 50th-anniversary edition of a novel about a surreal pursuit through an apocalyptic world should bring new attention to Kavan (1901-1968; Who Are You, 1963, etc.), a writer of intense imagination.
Kavan’s unnamed narrator returns to his home country after spending time abroad in the tropics and finds the countryside in the clutch of disturbing, unseasonable cold. He has come back to “investigate rumors of a mysterious impending emergency” but is unable to focus on anything except seeing a woman he was once infatuated with. He blames her past rejection of him for various psychological sufferings and has vivid dreams of her enduring violent physical harm that intrude upon the narrative without warning. He finally sees her, victimized by a poisonous marriage, but then she runs away, and he feels compelled to find her, beginning a lonely chase through a world succumbing to an unspecific and terrifying disaster. Governments fail, militaries take over, tension increases between countries with nuclear armaments, and, most inevitably, deadly cold and walls of ice start to overtake the planet. While elements of Kavan’s story feel sometimes like a science-fiction adventure and sometimes like a hallucinatory psychological nightmare, the whole never sits still as one or the other, and it is always slippery, bizarre, and meticulously written. Time is elastic and the horrors of reality and fantasy are rarely delineated, so the power of one scene falling after another remains unconstrained by conventional logic and is instead wielded for maximum visceral effect. Kavan’s descriptions of disaster are brutal and beautiful: “Ice walls loomed and thundered, smooth, shining, unearthly, a glacial nightmare….” There is little gentleness in this world, and the unrelenting fixation on male pursuit of female victimization might be read as problematic, but aligning that pursuit with a human-inflicted destruction of the entire world provides an interesting pairing to consider.
A gripping and uniquely strange work of science fiction.Pub Date: Nov. 14, 2017
ISBN: 978-0-14-313199-1
Page Count: 193
Publisher: Penguin
Review Posted Online: Sept. 19, 2017
Kirkus Reviews Issue: Oct. 1, 2017
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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 10, 2020
Kirkus Reviews Issue: March 1, 2020
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BOOK TO SCREEN
Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.
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Inseparable identical twin sisters ditch home together, and then one decides to vanish.
The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in White society, is shedding her fur coat. Jude, so Black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her White persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.
Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.Pub Date: June 2, 2020
ISBN: 978-0-525-53629-1
Page Count: 352
Publisher: Riverhead
Review Posted Online: March 15, 2020
Kirkus Reviews Issue: April 1, 2020
Categories: LITERARY FICTION | GENERAL FICTION
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SEEN & HEARD
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