A tale of dark humanity that sticks like a brick in the mouth.
Blood, witches, curses, and monsters haunt the residents of an Eastern European village.
Yana, a self-proclaimed vampire hunter like her late mother, knows that "every village is haunted in its own way," so she travels between them, making her living by "banish[ing] something without form," freeing people from their various troubles. When she arrives in Koprivci, it’s clear the village needs her help; very few children survive to adulthood here, and Nina, the blacksmith’s pregnant widow, is being persecuted as a witch. Meanwhile, Kiril returns to Koprivci from the city, where he studied medicine under a surgeon in the hopes of bringing aid to the village, but he’s upset to learn that his beloved, Margarita, is set to marry his best friend, Simeon. His orphaned cousin Anka, who was raised alongside him by his uncle the Captain, is less than thrilled to see him home, having felt betrayed by his departure. She’s fighting to hide her menstruation from the Captain, who’s determined to marry her as soon as she bleeds, seeing in her her dead mother, his lost love. Kovatcheva excels when facing unpleasant details head-on, launching into descriptions of "earth…warm with a cloying, unwashed sweetness," and a spirit "peel[ing] itself like a hangnail from the dark." The villagers at large play a crucial role in this novel, with so many stakes wrapped up in their opinions, their perceptions of every person and event, as each of them molds the narrative, claiming "their piece of the story." Though Yana insists that people need monsters, people themselves prove monstrous; how far is anyone willing to go to get out from under the thumb of abuse?
A tale of dark humanity that sticks like a brick in the mouth.Pub Date: Feb. 10, 2026
ISBN: 9780063436374
Page Count: 288
Publisher: Mariner Books
Review Posted Online: Jan. 19, 2026
Kirkus Reviews Issue: Feb. 15, 2026
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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