LEO LOVES BABY TIME

From the Lola & Leo series

Leo, who first appeared in Lola Reads to Leo (2012), attends a baby program with his mother.

He and his fellow sitting-up babes enjoy singing and playing on their grown-ups’ laps, as well as exploring books and toys. The single- and double-page spreads include one or two sentences describing the action written in a bold, black type: “First they sing the happy song. / Then they play peekaboo with scarves!” Hearson effectively channels the style of Rosalind Beardshaw, who illustrated the previous Lola titles, and creates cozy cartoon scenes in warm jewel tones. The setting of this program is left unclear, but it could easily be a public library or a community center in a very diverse neighborhood (the skin tones range from chocolate to peach). Organizations offering such events will want to stock up on this title, since it offers a perfect introduction for babies and their caregivers alike. While the ending feels a bit abrupt, little ones will find much to recognize here, and their grown-ups will appreciate the baby-friendly book design with its thicker-than-normal pages, jacketless cover and rounded corners. Like Leo and his friends, this book is a buoyant and bouncy delight. (Picture book. 6-18 mos.)

 

Pub Date: Feb. 25, 2014

ISBN: 978-1-58089-665-8

Page Count: 24

Publisher: Charlesbridge

Review Posted Online: Dec. 18, 2013

Kirkus Reviews Issue: Jan. 15, 2014

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THE LORAX

The greening of Dr. Seuss, in an ecology fable with an obvious message but a savingly silly style. In the desolate land of the Lifted Lorax, an aged creature called the Once-ler tells a young visitor how he arrived long ago in the then glorious country and began manufacturing anomalous objects called Thneeds from "the bright-colored tufts of the Truffula Trees." Despite protests from the Lorax, a native "who speaks for the trees," he continues to chop down Truffulas until he drives away the Brown Bar-ba-loots who had fed on the Tuffula fruit, the Swomee-Swans who can't sing a note for the smogulous smoke, and the Humming-Fish who had hummed in the pond now glumped up with Gluppity-Glupp. As for the Once-let, "1 went right on biggering, selling more Thneeds./ And I biggered my money, which everyone needs" — until the last Truffula falls. But one seed is left, and the Once-let hands it to his listener, with a message from the Lorax: "UNLESS someone like you/ cares a whole awful lot,/ nothing is going to get better./ It's not." The spontaneous madness of the old Dr. Seuss is absent here, but so is the boredom he often induced (in parents, anyway) with one ridiculous invention after another. And if the Once-let doesn't match the Grinch for sheer irresistible cussedness, he is stealing a lot more than Christmas and his story just might induce a generation of six-year-olds to care a whole lot.

Pub Date: Aug. 12, 1971

ISBN: 0394823370

Page Count: 72

Publisher: Random House

Review Posted Online: Oct. 19, 2011

Kirkus Reviews Issue: Sept. 1, 1971

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CINDERELLA

This companion piece to the other fairy tales Marcia Brown has interpreted (see Puss In Boots, 1952, p. 548 and others) has the smoothness of a good translation and a unique charm to her feathery light pictures. The pictures have been done in sunset colors and the spreads on each page as they illustrate the story have the cumulative effect of soft cloud banks. Gentle.

Pub Date: June 15, 1954

ISBN: 0684126761

Page Count: 40

Publisher: Scribner

Review Posted Online: Oct. 26, 2011

Kirkus Reviews Issue: June 15, 1954

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