by Anna Moschovakis ‧ RELEASE DATE: Nov. 8, 2022
Densely intellectual, the novel forces an alert reader to reconsider what it means to participate in the very act of reading.
Amid environmental and economic uncertainty, two reading groups, Love and Anti-Love, merge syllabuses and members as they redefine what it means to participate—in community, in relationships, in humanity.
E is a member of two reading groups—Love, which has recently begun to meet solely in virtual spaces, and Anti-Love, which variously bills itself as "resistance, revolt, revolution," and which meets at a village cafe 150 miles from the city where E lives and where Love is centered. The syllabus for Love ranges from Aristotle to Badiou, and E is behind in her reading. She attempts to catch up while on a temporary break from one of her three jobs (the mentor who is training her as a mediator has vanished midcase with no explanation), and through her interactions with the group's listserv, she finds herself increasingly fixated on fellow Love member S, whom she has never met in person. Meanwhile, the weather has become unpredictable, a part of the cycle of news reports that “[appear] at the top right of the screen, a stack of small explosions, almost registering, then, compulsively, swiped away.” As E burrows into her reading and through her memories—of Pablo, the gadfly interpreter; Giorgos, a talkative Greek poet; a cherry-lipped bookstore clerk who's “an acquaintance from a time past, when drugs and love intersected in a clear and particular way,” and more—the general sense of apocalypse coalesces in the form of Tropical Storm Ezekiel, much bigger and farther west than meteorologists anticipated, which wreaks havoc in the village where Anti-Love meets. As the diverse characters of E’s life converge on the flooded region, the methodology of Love versus Anti-Love transcends its binary to become something at once more complex and more humanely simple. Theory-driven, opaque, and formally experimental, the book risks abstraction that can be alienating, allowing its characters to exposit their thoughts on their lives, surroundings, memories, and expectations rather than explore these ideas in-scene. However, Moschovakis’ take on what it means to form community in opposition to the expectations of hierarchy, anticipated outcome, or even narrative that have been indoctrinated in readers feels timely, perhaps even prescient, in an era when the only thing that seems constant is the incontrovertible need for change.
Densely intellectual, the novel forces an alert reader to reconsider what it means to participate in the very act of reading.Pub Date: Nov. 8, 2022
ISBN: 978-1-56689-657-3
Page Count: 216
Publisher: Coffee House
Review Posted Online: Aug. 12, 2022
Kirkus Reviews Issue: Sept. 1, 2022
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BOOK REVIEW
by David Diop ; translated by Anna Moschovakis
by Mitch Albom ‧ RELEASE DATE: Oct. 7, 2025
Have tissues ready as you read this. A small package will do.
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45
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New York Times Bestseller
A love story about a life of second chances.
In Nassau, in the Bahamas, casino detective Vincent LaPorta grills Alfie Logan, who’d come up a winner three times in a row at the roulette table and walked away with $2 million. “How did you do it?” asks the detective. Alfie calmly denies cheating. You wired all the money to a Gianna Rule, LaPorta says. Why? To explain, Alfie produces a composition book with the words “For the Boss, to Be Read Upon My Death” written on the cover. Read this for answers, Alfie suggests, calling it a love story. His mother had passed along to him a strange trait: He can say “Twice!” and go back to a specific time and place to have a do-over. But it only works once for any particular moment, and then he must live with the new consequences. He can only do this for himself and can’t prevent anyone from dying. Alfie regularly uses his power—failing to impress a girl the first time, he finds out more about her, goes back in time, and presto! She likes him. The premise is of course not credible—LaPorta doesn’t buy it either—but it’s intriguing. Most people would probably love to go back and unsay something. The story’s focus is on Alfie’s love for Gianna and whether it’s requited, unrequited, or both. In any case, he’s obsessed with her. He’s a good man, though, an intelligent person with ordinary human failings and a solid moral compass. Albom writes in a warm, easy style that transports the reader to a world of second chances and what-ifs, where spirituality lies close to the surface but never intrudes on the story. Though a cynic will call it sappy, anyone who is sick to their core from the daily news will enjoy this escape from reality.
Have tissues ready as you read this. A small package will do.Pub Date: Oct. 7, 2025
ISBN: 9780062406682
Page Count: 320
Publisher: Harper/HarperCollins
Review Posted Online: July 18, 2025
Kirkus Reviews Issue: Aug. 15, 2025
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by Mitch Albom
BOOK REVIEW
by Mitch Albom
BOOK REVIEW
by Mitch Albom
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
by Colleen Hoover ‧ RELEASE DATE: Jan. 18, 2022
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.
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136
Our Verdict
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IndieBound Bestseller
After being released from prison, a young woman tries to reconnect with her 5-year-old daughter despite having killed the girl’s father.
Kenna didn’t even know she was pregnant until after she was sent to prison for murdering her boyfriend, Scotty. When her baby girl, Diem, was born, she was forced to give custody to Scotty’s parents. Now that she’s been released, Kenna is intent on getting to know her daughter, but Scotty’s parents won’t give her a chance to tell them what really happened the night their son died. Instead, they file a restraining order preventing Kenna from so much as introducing herself to Diem. Handsome, self-assured Ledger, who was Scotty’s best friend, is another key adult in Diem’s life. He’s helping her grandparents raise her, and he too blames Kenna for Scotty’s death. Even so, there’s something about her that haunts him. Kenna feels the pull, too, and seems to be seeking Ledger out despite his judgmental behavior. As Ledger gets to know Kenna and acknowledges his attraction to her, he begins to wonder if maybe he and Scotty’s parents have judged her unfairly. Even so, Ledger is afraid that if he surrenders to his feelings, Scotty’s parents will kick him out of Diem’s life. As Kenna and Ledger continue to mourn for Scotty, they also grieve the future they cannot have with each other. Told alternatively from Kenna’s and Ledger’s perspectives, the story explores the myriad ways in which snap judgments based on partial information can derail people’s lives. Built on a foundation of death and grief, this story has an undercurrent of sadness. As usual, however, the author has created compelling characters who are magnetic and sympathetic enough to pull readers in. In addition to grief, the novel also deftly explores complex issues such as guilt, self-doubt, redemption, and forgiveness.
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.Pub Date: Jan. 18, 2022
ISBN: 978-1-5420-2560-7
Page Count: 335
Publisher: Montlake Romance
Review Posted Online: Oct. 12, 2021
Kirkus Reviews Issue: Nov. 1, 2021
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SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
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