Fourteen-year-old Howard Gardner is a hoggee, a boy who drives the mules that pull boats along the Erie Canal in the 1830s. During one bitter winter, Howard nearly starves to death. Recovering from a beating at the home of the old man who cares for the mules, Howard meets silent and sad Sarah, who intrigues him. Learning that she’s deaf and mute, he resolves to help her. Howard’s a quick study and teaches himself sign language. He eventually trains Sarah, and for the first time in her life she communicates and the world opens up. So it does for Howard who finally faces up to his perfect older brother and achieves a lifelong goal: He leaves canal life forever and returns to school. This is fine, simply told historical fiction. Howard’s a nice young man and well-drawn, and the time and place are well-evoked. (Historical fiction. 10-12)
Pub Date: Sept. 1, 2004
ISBN: 0-8027-8926-9
Page Count: 160
Publisher: Walker
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2004
An entertaining continuation to a magical series that celebrates diversity with a magical twist.
With Rumpelstiltskin and his band of villains still on the loose, the students and staff of Fairy Tale Reform School are on high alert as they prepare for the next attack.
Classes are devoted to teaching battle techniques and conjuring new weapons, which narrator Gilly finds preferable to learning history or manners. But Maxine, her ogress friend, has had it with all the doom and gloom. The last straw is when the agenda at the Royal Lady-in-Waiting meeting is changed from “How to Plan the Perfect Fairy Garden Party” to designing flying rocks and creating flower darts. While on a class field trip to the village to investigate their future careers, Maxine finds a magic lamp housing a genie named Darlene. Her wish that everyone be happy works a little too well. War preparations are put on hold as the school fills with flowers, laughter, and plans for a musical production. But when Gilly is tapped to fill in for the local chief of the dwarf police, things really take a turn for the worse. The students, including fairies, ogres, and the part-human/part-beast offspring of Beauty and the ex-Beast, focus on friendship and supporting one another in spite of their differences. Humility, forgiveness, and loyalty are also highly regarded in the FTRS community. Human Gilly is white, but there is racial as well as species diversity at FTRS.
An entertaining continuation to a magical series that celebrates diversity with a magical twist. (Fantasy. 10-12)Pub Date: March 5, 2019
ISBN: 978-1-4926-5167-3
Page Count: 256
Publisher: Sourcebooks Jabberwocky
Review Posted Online: Nov. 20, 2018
Kirkus Reviews Issue: Dec. 15, 2018
Themes of freedom and responsibility twine between the lines of this short but heavy novel from the author of Because of Winn-Dixie (2000). Three months after his mother's death, Rob and his father are living in a small-town Florida motel, each nursing sharp, private pain. On the same day Rob has two astonishing encounters: first, he stumbles upon a caged tiger in the woods behind the motel; then he meets Sistine, a new classmate responding to her parents' breakup with ready fists and a big chip on her shoulder. About to burst with his secret, Rob confides in Sistine, who instantly declares that the tiger must be freed. As Rob quickly develops a yen for Sistine's company that gives her plenty of emotional leverage, and the keys to the cage almost literally drop into his hands, credible plotting plainly takes a back seat to character delineation here. And both struggle for visibility beneath a wagonload of symbol and metaphor: the real tiger (and the inevitable recitation of Blake's poem); the cage; Rob's dream of Sistine riding away on the beast's back; a mysterious skin condition on Rob's legs that develops after his mother's death; a series of wooden figurines that he whittles; a larger-than-life African-American housekeeper at the motel who dispenses wisdom with nearly every utterance; and the climax itself, which is signaled from the start. It's all so freighted with layers of significance that, like Lois Lowry's Gathering Blue (2000), Anne Mazer's Oxboy (1995), or, further back, Julia Cunningham's Dorp Dead (1965), it becomes more an exercise in analysis than a living, breathing story. Still, the tiger, "burning bright" with magnificent, feral presence, does make an arresting central image. (Fiction. 10-12)
Pub Date: March 1, 2001
ISBN: 0-7636-0911-0
Page Count: 128
Publisher: Candlewick
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2001
BOOK TO SCREEN
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
