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TULSA BURNING

This short, moving work is about family, poverty, love, hate—and introspection. It is spring 1921 when Nobe’s abusive father dies. “I wanted to tell Ma I was glad, glad the man who never did give me no kind word was gone. It wasn’t that simple, though, on account of I wanted to tell her I was sorry too. I wanted to be sorry.” No longer able to afford their farm, Nobe and Ma move into town to live with the sheriff—a man who shoots and kills Nobe’s dog right in front of him. Fury engulfs Nobe, and what emerges is a steady internal drive towards revenge. Nobe’s friends, portrayed simply but with layers of complexity, include a child who hangs around while he washes dishes at a cafe, a girl named Cinda he has known since childhood, and a man named Isaac, nine years older. Isaac and Nobe work together on the longings they both have for loving fathers. But Nobe is white and Isaac black, and when a race riot breaks out in nearby Tulsa, Nobe has to drive a truck into the city past rioters and the National Guard to get Isaac back to their town. A tragic accident and vicious “clan” violence push Nobe to act fast, and while working out the logistics of dangerous but critical actions, he inadvertently works right through to a peaceful feeling. Descriptions are poetic and vivid; the narrative voice is deep and soulful. (Historical fiction. 8-12)

Pub Date: Sept. 1, 2002

ISBN: 0-8027-8829-7

Page Count: 184

Publisher: Walker

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 2002

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THE WATSONS GO TO BIRMINGHAM--1963

Curtis debuts with a ten-year-old's lively account of his teenaged brother's ups and downs. Ken tries to make brother Byron out to be a real juvenile delinquent, but he comes across as more of a comic figure: getting stuck to the car when he kisses his image in a frozen side mirror, terrorized by his mother when she catches him playing with matches in the bathroom, earning a shaved head by coming home with a conk. In between, he defends Ken from a bully and buries a bird he kills by accident. Nonetheless, his parents decide that only a long stay with tough Grandma Sands will turn him around, so they all motor from Michigan to Alabama, arriving in time to witness the infamous September bombing of a Sunday school. Ken is funny and intelligent, but he gives readers a clearer sense of Byron's character than his own and seems strangely unaffected by his isolation and harassment (for his odd look—he has a lazy eye—and high reading level) at school. Curtis tries to shoehorn in more characters and subplots than the story will comfortably bear—as do many first novelists—but he creates a well-knit family and a narrator with a distinct, believable voice. (Fiction. 10-12)

Pub Date: Oct. 1, 1995

ISBN: 0-385-32175-9

Page Count: 210

Publisher: Delacorte

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 1995

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LAUGH WITH THE MOON

Ultimately, Burg’s lyrical prose will make readers think about the common ground among peoples, despite inevitable...

Melding the colors of heartache and loss with painterly strokes, Burg creates a vivid work of art about a girl grieving for her recently deceased mother against a Third World backdrop.

Clare is not speaking to her father. She has vowed never to speak to him again. Which could be tough, since the pair just touched down in Malawi. There, Clare finds herself struck by the contrast between American wealth and the relatively bare-bones existence of her new friends. Drowning in mourning and enraged at the emptiness of grief, Clare is a hurricane of early-adolescent emotions. Her anger toward her father crackles like lightning in the treetops. She finds purpose, though, in teaching English to the younger children, which leads her out of grief. Burg’s imagery shimmers. “The girl talks to her mother in a language that sounds like fireworks, full of bursts and pops. She holds her hand over her mouth giggling.... She probably has so many minutes with her mother, she can’t even count them.” Her realization of the setting and appreciation for the Malawian people are so successful that they compensate for Clare's wallowing, which sometimes feels contrived.

Ultimately, Burg’s lyrical prose will make readers think about the common ground among peoples, despite inevitable disparities. (Fiction. 9-12)

Pub Date: June 12, 2012

ISBN: 978-0-385-73471-4

Page Count: 256

Publisher: Delacorte

Review Posted Online: March 20, 2012

Kirkus Reviews Issue: April 15, 2012

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