A genre- (and gender-) bending take on the classic Western.
A young woman in an alternate version of the 1890s American West joins a gang of outlaws.
Ada is just a teenager living in the Independent Town of Fairchild when she’s married off and expected to start a family with her new husband. The daughter of the town’s midwife, Ada knows just about all there is to know about childbirth and childbearing—except the reasons behind the failure to conceive, the worst fate that can befall a woman in her society. (The standard punishment for a “barren” woman is to be hanged as a witch.) When she herself cannot get pregnant, Ada must leave her mother and young sisters behind, first fleeing to a convent. Then, when she becomes dissatisfied by the limitations to her learning that convent life dictates, she is directed by the Mother Superior to the Hole in the Wall Gang. Well known as robbers in “the territories,” the gang is led by the mysterious Kid, a figure said to be as “tall as a pine tree and as strong as a grizzly bear.” But when Ada is secreted to their hideout, she finds none of the outlaws, least of all the Kid, are what they seem. North has smashed two unlikely genres together here: the dystopian alternate history and the Western. Calling it The Handmaid’s Tale crossed with Butch Cassidy and the Sundance Kid goes some way to describe the novel’s memorable world, but it is also wholly its own. It earns its place in the growing canon of fiction that subverts the Western genre by giving voice to the true complexity of gender and sexual expression, as well as race relations, that has previously been pushed to the margins of traditional cowboy or westward expansion tales.
A genre- (and gender-) bending take on the classic Western.Pub Date: Jan. 5, 2021
ISBN: 978-1-63557-542-2
Page Count: 272
Publisher: Bloomsbury
Review Posted Online: Sept. 29, 2020
Kirkus Reviews Issue: Oct. 15, 2020
SEEN & HEARD
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
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