A genre- (and gender-) bending take on the classic Western.
A young woman in an alternate version of the 1890s American West joins a gang of outlaws.
Ada is just a teenager living in the Independent Town of Fairchild when she’s married off and expected to start a family with her new husband. The daughter of the town’s midwife, Ada knows just about all there is to know about childbirth and childbearing—except the reasons behind the failure to conceive, the worst fate that can befall a woman in her society. (The standard punishment for a “barren” woman is to be hanged as a witch.) When she herself cannot get pregnant, Ada must leave her mother and young sisters behind, first fleeing to a convent. Then, when she becomes dissatisfied by the limitations to her learning that convent life dictates, she is directed by the Mother Superior to the Hole in the Wall Gang. Well known as robbers in “the territories,” the gang is led by the mysterious Kid, a figure said to be as “tall as a pine tree and as strong as a grizzly bear.” But when Ada is secreted to their hideout, she finds none of the outlaws, least of all the Kid, are what they seem. North has smashed two unlikely genres together here: the dystopian alternate history and the Western. Calling it The Handmaid’s Tale crossed with Butch Cassidy and the Sundance Kid goes some way to describe the novel’s memorable world, but it is also wholly its own. It earns its place in the growing canon of fiction that subverts the Western genre by giving voice to the true complexity of gender and sexual expression, as well as race relations, that has previously been pushed to the margins of traditional cowboy or westward expansion tales.
A genre- (and gender-) bending take on the classic Western.Pub Date: Jan. 5, 2021
ISBN: 978-1-63557-542-2
Page Count: 272
Publisher: Bloomsbury
Review Posted Online: Sept. 29, 2020
Kirkus Reviews Issue: Oct. 15, 2020
SEEN & HEARD
An emotionally acute study of manliness.
Scenes from the life of a well-off but emotionally damaged man.
Szalay’s sixth novel is a study of István, who as a 15-year-old in Hungary is lured into a sexual relationship with a married neighbor; when he has a confrontation with the woman’s husband, the man falls down the stairs and dies. Add in stints in a juvenile facility and as a soldier in Iraq, and István enters his 20s almost completely stunted emotionally. (Saying much besides “Okay” sometimes seems utterly beyond him.) Fueled by id, libido, and street drugs, he seems destined to be a casualty until, while working as a bouncer at a London strip club, he helps rescue the owner of a security firm who’s been assaulted; soon, he’s hired as the driver for a tycoon and his wife, with whom he begins an affair. István is a fascinating character in a kind of negative sense—he’s intriguing for all the ways he fails to confront his trauma, all the missed opportunities to find deeper connections. To that end, Szalay’s prose is emotionally bare, deliberately clipped and declarative, evoking István’s unwillingness (or incapacity) to look inside himself; he occasionally consults with a therapist, but a relentless passivity keeps him from opening up much. His capacity to fail upwards eventually catches up with him, and the novel becomes a more standard story about betrayal and inheritances, but it also turns on small but meaningful moments of heroism that suggest a deeper character than somebody who, as someone suggests, “exemplif[ies] a primitive form of masculinity.” István’s relentlessly stony approach to existence grates at times—there are a few too many “okay”s in the dialogue—but Szalay’s distanced approach has its payoffs. Being closed off, like István, doesn’t close off the world, and at times has tragic consequences.
An emotionally acute study of manliness.Pub Date: April 1, 2025
ISBN: 9781982122799
Page Count: 368
Publisher: Scribner
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
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