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THE BLUE MAIDEN

A twisting narrative of the horrors of patriarchal subordination that will appeal to fans of classic gothic novels.

Noyes’ Nordic gothic follows two young sisters on a small Swedish island shadowed by witchcraft trials four generations earlier.

Berggrund Island in 1825 is a quiet, pious community with a haunting past: In 1675, the village priest coerced two orphans into accusing several women of consorting with the devil in Blockula, the “shadow realm” of an uninhabited nearby island called the Blue Maiden. This kicked off a chain of accusations that culminated in the murders of nearly 30 women. Six-year-old Beata and 10-year-old Ulrika are descendants of the only accused woman spared from death (not by any grace toward her, but because she was pregnant). Their father, Silas, the current priest, is a somber man who dismisses whispers of Blockula as superstition, but Bea and Ulrika become fascinated with witches all the same. This obsession bleeds into the girls’ greatest desire: to connect with their dead mother, Angelique. Both pursuits are forbidden in their father’s home, but, as they grasp at feminine knowledge—rifling through their mother’s things and attempting to cast their own spells—the girls increasingly suspect that Angelique had her share of secrets. It is the arrival of handsome mainlander August that propels the girls into womanhood, a place far less glamorous than they once believed. This debut novel churns with the smell of sea-damp wool, day-old bread, and elderflower-scented smoke. This is a place steeped in tradition, yet, for Bea, who surfaces as the protagonist, “history…is too far removed to feel real. What matters is its lore: Be good, or the witch will take you.” The girls must accept that the hushed stories—the bits of history blotted from the lore—are even more foreboding in their absence. While the narrative is quite fragmentary, Berggrund and its inhabitants are alluring; Noyes’ rich descriptions create a setting that, in all its consuming bleakness, is perfect for a story about the burdens of generational and gendered trauma.

A twisting narrative of the horrors of patriarchal subordination that will appeal to fans of classic gothic novels.

Pub Date: May 14, 2024

ISBN: 9780802162809

Page Count: 240

Publisher: Grove

Review Posted Online: Feb. 17, 2024

Kirkus Reviews Issue: March 15, 2024

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THE CALAMITY CLUB

Fans of Stockett’s bestselling debut will love this engaging follow-up.

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Stockett heads to Mississippi for another historical novel about feisty women.

This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Pub Date: May 5, 2026

ISBN: 9781954118812

Page Count: 656

Publisher: Spiegel & Grau

Review Posted Online: Feb. 2, 2026

Kirkus Reviews Issue: March 1, 2026

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THE CORRESPONDENT

An affecting portrait of a prickly woman.

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A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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