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DAISY DOOLEY DOES DIVORCE

Worth wading through the tears for the generous helping of Daisy Dooley wisdom.

Self-help junkie comes to terms with her divorce.

Daisy knew she married the wrong man. It was obvious, yet rather than trust her instincts, she forged ahead with her marriage plans to avoid becoming that desperate cliché—a desperate-for-babies career gal in her late 30s. A few years into her painfully dull marriage, Daisy has the courage to get out and try again. Don’t be mistaken by this one heroic act. Daisy isn’t naturally prone to action. To the contrary, after she leaves her husband, Daisy enjoys a nice long pity party held at her mother’s country digs. Besides her tireless mum, Daisy relies on her two closest pals, Jess and Lucy, to help mend her wounds and to listen to her ramblings. Be prepared for the tear fest that ensues as Daisy performs a postmortem on her marriage. Things appear pretty gloomy for this jobless divorcee as she prepares to re-enter the dating pool. Cue more floodworks when Daisy has a disastrous first “PPD” (post-divorce date). It gets so bad that readers stand the chance of drowning in Daisy’s misery and misfortune. But Pasternak (Princess in Love, 1994) gets things moving again. Daisy lands a job and starts revamping her love life. Reinventing herself as a self-help guru, she garners attention from book lovers and publishers as she helps London’s singles mend their hearts. Romantically, things start to look up when Daisy reconnects with Julius, her lifelong love. But don’t wait for the neat and tidy happy ending. Pasternak’s second novel is an unexpected treat: Daisy challenges everyone in her orbit to embrace living in the moment and to let go of expectations.

Worth wading through the tears for the generous helping of Daisy Dooley wisdom.

Pub Date: Oct. 22, 2007

ISBN: 978-0-446-17794-8

Page Count: 368

Publisher: 5 Spot/Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 2007

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ELEANOR OLIPHANT IS COMPLETELY FINE

Honeyman’s endearing debut is part comic novel, part emotional thriller, and part love story.

A very funny novel about the survivor of a childhood trauma.

At 29, Eleanor Oliphant has built an utterly solitary life that almost works. During the week, she toils in an office—don’t inquire further; in almost eight years no one has—and from Friday to Monday she makes the time go by with pizza and booze. Enlivening this spare existence is a constant inner monologue that is cranky, hilarious, deadpan, and irresistible. Eleanor Oliphant has something to say about everything. Riding the train, she comments on the automated announcements: “I wondered at whom these pearls of wisdom were aimed; some passing extraterrestrial, perhaps, or a yak herder from Ulan Bator who had trekked across the steppes, sailed the North Sea, and found himself on the Glasgow-Edinburgh service with literally no prior experience of mechanized transport to call upon.” Eleanor herself might as well be from Ulan Bator—she’s never had a manicure or a haircut, worn high heels, had anyone visit her apartment, or even had a friend. After a mysterious event in her childhood that left half her face badly scarred, she was raised in foster care, spent her college years in an abusive relationship, and is now, as the title states, perfectly fine. Her extreme social awkwardness has made her the butt of nasty jokes among her colleagues, which don’t seem to bother her much, though one notices she is stockpiling painkillers and becoming increasingly obsessed with an unrealistic crush on a local musician. Eleanor’s life begins to change when Raymond, a goofy guy from the IT department, takes her for a potential friend, not a freak of nature. As if he were luring a feral animal from its hiding place with a bit of cheese, he gradually brings Eleanor out of her shell. Then it turns out that shell was serving a purpose.

Honeyman’s endearing debut is part comic novel, part emotional thriller, and part love story.

Pub Date: May 9, 2017

ISBN: 978-0-7352-2068-3

Page Count: 336

Publisher: Pamela Dorman/Viking

Review Posted Online: Jan. 22, 2017

Kirkus Reviews Issue: Feb. 1, 2017

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SUMMER SECRETS

As she seeks to repair bridges, Cat awakens anger and treachery in the hearts of those she once betrayed. Making amends,...

Before sobriety, Catherine "Cat" Coombs had it all: fun friends, an exciting job, and a love affair with alcohol. Until she blacked out one more time and woke up in a stranger’s bed.

By that time, “having it all” had already devolved into hiding the extent of her drinking from everyone she cared about, including herself. Luckily for Cat, the stranger turned out to be Jason Halliwell, a rather delicious television director marking three years, eight months, and 69 days of sobriety. Inspired by Jason—or rather, inspired by the prospect of a romantic relationship with this handsome hunk—Cat joins him at AA meetings and embarks on her own journey toward clarity. But sobriety won’t work until Cat commits to it for herself. Their relationship is tumultuous, as Cat falls off the wagon time and again. Along the way, Cat discovers that the cold man she grew up endlessly failing to please was not her real father, and with his death, her mother’s secret escapes. So she heads for Nantucket, where she meets her drunken dad and two half sisters—one boisterously welcoming and the other sulkily suspicious—and where she commits an unforgivable blunder. Years later, despairing of her persistent relapses, Jason has left Cat, taking their daughter with him. Finally, painfully, Cat gets clean. Green (Saving Grace, 2014, etc.) handles grim issues with a sure hand, balancing light romance with tense family drama. She unflinchingly documents Cat’s humiliations under the influence and then traces her commitment to sobriety. Simultaneously masking the motivations of those surrounding our heroine, Green sets up a surprising karmic lesson.

As she seeks to repair bridges, Cat awakens anger and treachery in the hearts of those she once betrayed. Making amends, like addiction, may endanger her future.

Pub Date: June 23, 2015

ISBN: 978-1-250-04734-2

Page Count: 320

Publisher: St. Martin's

Review Posted Online: April 1, 2015

Kirkus Reviews Issue: April 15, 2015

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