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DAISY DOOLEY DOES DIVORCE

Worth wading through the tears for the generous helping of Daisy Dooley wisdom.

Self-help junkie comes to terms with her divorce.

Daisy knew she married the wrong man. It was obvious, yet rather than trust her instincts, she forged ahead with her marriage plans to avoid becoming that desperate cliché—a desperate-for-babies career gal in her late 30s. A few years into her painfully dull marriage, Daisy has the courage to get out and try again. Don’t be mistaken by this one heroic act. Daisy isn’t naturally prone to action. To the contrary, after she leaves her husband, Daisy enjoys a nice long pity party held at her mother’s country digs. Besides her tireless mum, Daisy relies on her two closest pals, Jess and Lucy, to help mend her wounds and to listen to her ramblings. Be prepared for the tear fest that ensues as Daisy performs a postmortem on her marriage. Things appear pretty gloomy for this jobless divorcee as she prepares to re-enter the dating pool. Cue more floodworks when Daisy has a disastrous first “PPD” (post-divorce date). It gets so bad that readers stand the chance of drowning in Daisy’s misery and misfortune. But Pasternak (Princess in Love, 1994) gets things moving again. Daisy lands a job and starts revamping her love life. Reinventing herself as a self-help guru, she garners attention from book lovers and publishers as she helps London’s singles mend their hearts. Romantically, things start to look up when Daisy reconnects with Julius, her lifelong love. But don’t wait for the neat and tidy happy ending. Pasternak’s second novel is an unexpected treat: Daisy challenges everyone in her orbit to embrace living in the moment and to let go of expectations.

Worth wading through the tears for the generous helping of Daisy Dooley wisdom.

Pub Date: Oct. 22, 2007

ISBN: 978-0-446-17794-8

Page Count: 368

Publisher: 5 Spot/Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 2007

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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