by Anna Seghers ; translated by Margot Bettauer Dembo ‧ RELEASE DATE: May 25, 2021
Unrelenting and sometimes heavy-handed, at their best Seghers’ stories are also moving and deeply intelligent.
A collection of stories spanning Seghers’ accomplished career.
Seghers, a German Jewish writer, left the country in time to avoid the worst of Hitler’s excesses, but in her many novels and short stories, she dedicated herself to a stringent and ongoing analysis of fascism: its victims, its resisters, and, occasionally, its admirers. Most of the stories included in this collection are concerned with the war. In “A Man Becomes a Nazi,” Seghers traces the life of a man who did indeed become a Nazi; she may have meant the story as an attempt to at least understand, if not sympathize with, at least one individual from a mass of many, but the result is somewhat flat-footed. When her character starts attending political meetings, he “learned that the cause of all his problems was the Versailles Treaty created by the Jews and the Free Masons in order to enslave him.” Seghers probably meant to humanize him, but her character turns out, instead, a caricature. She was by no means a subtle writer. Seghers was concerned with major questions, and she pursued those questions in her fiction relentlessly. What does fascism do to a person’s soul? she asks again and again. In the title story, one of Seghers’ best known, a woman imagines herself with her old schoolmates on a class trip to the Rhine. As “Netty” (Seghers’ own nickname) scans the scene, she intersperses her descriptions of the children in the years before World War I with the lives they grew up to endure. “Marianne and Leni, of whom one would later suffer the loss of her child because of the other,” she writes, “were walking out of the little seesaw garden, their arms thrown about each other’s necks.” It’s a poignant and affecting story, even if Seghers underscores her point several times over. The collection also includes stories from early in Seghers’ career as well as tales based on myths rather than war (“Tales of Artemis,” for one), but the main thrust of Seghers’ obsession remains clear, and some stories are more successful than others.
Unrelenting and sometimes heavy-handed, at their best Seghers’ stories are also moving and deeply intelligent.Pub Date: May 25, 2021
ISBN: 978-1-68137-535-9
Page Count: 320
Publisher: New York Review Books
Review Posted Online: March 2, 2021
Kirkus Reviews Issue: March 15, 2021
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by Anna Seghers ; translated by Douglas Irving
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edited by Celeste Ng ; series editor: Nicole Lamy ‧ RELEASE DATE: Oct. 21, 2025
The spirit of grace under pressure and creativity under fire animates a wonderfully diverse set of stories.
Ng selects 20 stories that illustrate why we might still read fiction in a time of disinformation and lies.
As the trials and tribulations of the 21st century have unfolded, the Best American Short Stories anthology has become a particular way of taking the temperature of each passing year. As Ng writes in her introduction to the latest group, “Short stories in particular can act like little tuning forks, helping us to clarify our own values—then allowing us to bring ourselves into alignment with what we believe. In a time when our values are being tested daily, it’s hard to think of anything more important.” Many of them are also fun to read, a quality appreciated more than ever by depressed and overwhelmed readers. The stories are ordered alphabetically, a structure maintained in the following selection, which is unfortunately limited by space. “Take Me to Kirkland,” by Sarah Anderson, is very funny, a little weird, and certainly one of Costco’s finest hours. “What Would I Do for You, What Would You Do for Me?” by Emma Binder is a cinematic mini-thriller about a trans kid visiting his hometown, terrified of being “clocked” by the people he grew up with after he saves a local from drowning. “Time of the Preacher,” by Bret Anthony Johnston, is one of several pandemic stories—in it, a snake, which may or may not be under the refrigerator, inspires a quarantine-breaking cry for help from a fence-builder’s ex-wife. Another story of that time, “Yellow Tulips,” by Nathan Curtis Roberts, also combines endearing, funny first-person narration with a more serious theme. A Mormon man in an uptight Utah suburb has to manage his developmentally disabled adult son through the complexities of quarantine. One day, he discovers that his son has “gotten into the provisions Mormons are all but commanded to keep, eating Nutella and Marshmallow Fluff from their jars.…Brig, we put these things aside for the apocalypse,’” the father says, while his son “grinned gleefully, sugary goo smeared across his lips and fingers. ‘It’s an apocalypse now!’”
The spirit of grace under pressure and creativity under fire animates a wonderfully diverse set of stories.Pub Date: Oct. 21, 2025
ISBN: 9780063399808
Page Count: 384
Publisher: Mariner Books
Review Posted Online: Oct. 10, 2025
Kirkus Reviews Issue: yesterday
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by Tim O’Brien ‧ RELEASE DATE: March 28, 1990
It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.
Pub Date: March 28, 1990
ISBN: 0618706410
Page Count: 256
Publisher: Houghton Mifflin
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Feb. 15, 1990
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