Unrelenting and sometimes heavy-handed, at their best Seghers’ stories are also moving and deeply intelligent.
A collection of stories spanning Seghers’ accomplished career.
Seghers, a German Jewish writer, left the country in time to avoid the worst of Hitler’s excesses, but in her many novels and short stories, she dedicated herself to a stringent and ongoing analysis of fascism: its victims, its resisters, and, occasionally, its admirers. Most of the stories included in this collection are concerned with the war. In “A Man Becomes a Nazi,” Seghers traces the life of a man who did indeed become a Nazi; she may have meant the story as an attempt to at least understand, if not sympathize with, at least one individual from a mass of many, but the result is somewhat flat-footed. When her character starts attending political meetings, he “learned that the cause of all his problems was the Versailles Treaty created by the Jews and the Free Masons in order to enslave him.” Seghers probably meant to humanize him, but her character turns out, instead, a caricature. She was by no means a subtle writer. Seghers was concerned with major questions, and she pursued those questions in her fiction relentlessly. What does fascism do to a person’s soul? she asks again and again. In the title story, one of Seghers’ best known, a woman imagines herself with her old schoolmates on a class trip to the Rhine. As “Netty” (Seghers’ own nickname) scans the scene, she intersperses her descriptions of the children in the years before World War I with the lives they grew up to endure. “Marianne and Leni, of whom one would later suffer the loss of her child because of the other,” she writes, “were walking out of the little seesaw garden, their arms thrown about each other’s necks.” It’s a poignant and affecting story, even if Seghers underscores her point several times over. The collection also includes stories from early in Seghers’ career as well as tales based on myths rather than war (“Tales of Artemis,” for one), but the main thrust of Seghers’ obsession remains clear, and some stories are more successful than others.
Unrelenting and sometimes heavy-handed, at their best Seghers’ stories are also moving and deeply intelligent.Pub Date: May 25, 2021
ISBN: 978-1-68137-535-9
Page Count: 320
Publisher: New York Review Books
Review Posted Online: March 2, 2021
Kirkus Reviews Issue: March 15, 2021
The range and virtuosity of these stories make this Mosley’s most adventurous and, maybe, best book.
A grandmaster of the hard-boiled crime genre shifts gears to spin bittersweet and, at times, bizarre tales about bruised, sensitive souls in love and trouble.
In one of the 17 stories that make up this collection, a supporting character says: “People are so afraid of dying that they don’t even live the little bit of life they have.” She casually drops this gnomic observation as a way of breaking down a lead character’s resistance to smoking a cigarette. But her aphorism could apply to almost all the eponymous awkward Black men examined with dry wit and deep empathy by the versatile and prolific Mosley, who takes one of his occasional departures from detective fiction to illuminate the many ways Black men confound society’s expectations and even perplex themselves. There is, for instance, Rufus Coombs, the mailroom messenger in “Pet Fly,” who connects more easily with household pests than he does with the women who work in his building. Or Albert Roundhouse, of “Almost Alyce,” who loses the love of his life and falls into a welter of alcohol, vagrancy, and, ultimately, enlightenment. Perhaps most alienated of all is Michael Trey in “Between Storms,” who locks himself in his New York City apartment after being traumatized by a major storm and finds himself taken by the outside world as a prophet—not of doom, but, maybe, peace? Not all these awkward types are hapless or benign: The short, shy surgeon in “Cut, Cut, Cut” turns out to be something like a mad scientist out of H.G. Wells while “Showdown on the Hudson” is a saga about an authentic Black cowboy from Texas who’s not exactly a perfect fit for New York City but is soon compelled to do the right thing, Western-style. The tough-minded and tenderly observant Mosley style remains constant throughout these stories even as they display varied approaches from the gothic to the surreal.
The range and virtuosity of these stories make this Mosley’s most adventurous and, maybe, best book.Pub Date: Sept. 15, 2020
ISBN: 978-0-8021-4956-5
Page Count: 336
Publisher: Grove
Review Posted Online: Sept. 1, 2020
Kirkus Reviews Issue: Sept. 15, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
Oddly exquisite.
Part essay, part story, part diatribe, part diary—even part dictionary—this book defies definition.
The narrators of this collection—a loose compilation of short works cut from Gen Z angst and internet gobbledygook—share more than a milieu. In “Love Story,” the fairytales of our youth are supplanted, “Once upon a time” replaced with “He was giving knight errant, organ-meat eater, Byronic hero....She was giving damsel in distress, pill-popper pixie dream girl.” Later on, “Halloween Forever” showcases another form of affection, that between an internet rabbit-hole denizen and “her” FBI agent, the one the meme says must be watching her. “Internet Girl” catalogs the protagonist’s descent into the digital, from Neopets to naked chat rooms. Managing to reference 2 Girls 1 Cup and 9/11 in a single sentence, the narrator continues apace, jumping from cultural touchstone to cultural touchstone without stopping for breath. The collection does take the occasional detour across a more traditional narrative arc, as in “Cancel Me,” in which the main character is locked out of a party. Standing in the rain with two dimwitted stand-ins for male mediocrity, she contemplates cancel culture, absolution, and, not for the last time, edgelords. The first-person narrators of these stories, only one of whom is named, share a hodgepodge of leftist beliefs not quite coherent enough to serve as evidence in the debate over whether they are in fact the same person. This book is billed as fiction, a truth that may recurrently shock the reader. The fictionality here is another layer to be parsed, along with thick films of irony and sincerity that demand to be scrubbed through by hand. If you text with a single index finger, steer clear. The girls who inhabit this world are only occasionally wise, but always clever.
Oddly exquisite.Pub Date: May 14, 2024
ISBN: 9780593656532
Page Count: 224
Publisher: Penguin Press
Review Posted Online: March 23, 2024
Kirkus Reviews Issue: April 15, 2024
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