A suspenseful but occasionally long-winded account of a prisoner’s escape from a German concentration camp.
Anti-fascists fight back in World War II Germany in this novel that was written during the war.
When seven prisoners escape from the Westhofen concentration camp, the commandant, Fahrenberg, erects seven crosses, made from plane trees, in the yard. Each cross is studded with nails. Each cross is then hung, one by one, with a prisoner, as each of the escapees is found and recaptured. German novelist Seghers (Transit, 2013, etc.) introduces each of the escapees but is primarily concerned with one: George Heisler, once notorious for his womanizing, now for his ability to withstand interrogations without either giving up names or allowing a smirk to drop from his features. This novel, which first appeared in English in 1942 and was made into a film starring Spencer Tracy, is only now appearing in unabridged form in English. It’s concerned not with Jewish camp inmates (the word “Jew” appears only once or twice in the entire novel) but with anti-fascist German nationals. It’s Heisler’s activities on behalf of the Communists that land him in camp, though the precise nature of those activities remains vague. Seghers is mainly concerned with his escape and with the network of characters affected in one way or another by that escape. So we meet Fritz, the hapless young man whose jacket Heisler steals; Franz, a former friend who radicalized Heisler before Heisler stole his girlfriend, Elli, and made her his wife; Elli herself, long estranged from Heisler; Elli’s father, who makes a living hanging wallpaper; commandant Fahrenberg; and more—many more. Through these many characters, Seghers is able to provide a thorough autopsy on German society of the time, with its various classes and varying levels of enthusiasm for the current government. Still, there are almost too many characters to keep track of, and we’re still meeting new faces in the novel’s final pages. Likewise, the narrative itself is loose and rangy in places—it could have benefited from some tightening. But there’s no dearth of suspense, and Seghers’ skill in describing the many dangers, risks, and accompanying paranoias of the time is unimpeachable.
A suspenseful but occasionally long-winded account of a prisoner’s escape from a German concentration camp.Pub Date: May 22, 2018
ISBN: 978-1-68137-212-9
Page Count: 416
Publisher: New York Review Books
Review Posted Online: March 4, 2018
Kirkus Reviews Issue: March 15, 2018
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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