A moving recollection of personal and national identity.
A woman recounts her upbringing in China as the country struggles to gain full entry into the modern world.
Debut author Wang was born in China in 1966, and before she was 1 year old, her mother entrusted her to her grandmother, in whose care she would remain until she was 12. While the author lacked official status as a resident, her father managed to get her into a Beijing school, where she developed a lifelong love of reading, an avocation sometimes challenged by the widespread lack of electricity: “As the room grew dark, I would unconsciously move to the faintly stronger light of the window, to squeeze out every last bit of sunlight before I was finally defeated.” Wang attended Peking University from 1984 to 1988, the volatile years of social change and protest that ultimately climaxed with the Tiananmen Square massacre, an event that she describes with impressive nuance. An unsuccessful microelectronics major, she later became a student of Chinese literature. The author lived on the dizzying precipice of two warring worlds: an older, more traditional version of China—her grandmother had endured the brutal practice of foot binding as a child—and one that yearned for the prosperity and sophistication of the West and experimented gingerly with an open market economy. She would later leave China—she pursued graduate work in the United States, had her second child in New Zealand, and finally settled in Vancouver, where she studied film. Wang’s memoir artfully braids the personal and the political—she fits the arc of her own life into the trajectory of China’s tumultuous, often painful transition away from autocracy in a way that’s ultimately illustrative of both. Her China is an intellectually challenging one, filled with contradictions, intent on “opening up its economy while tightening its political control.” And while she of course laments those killed in Tiananmen Square, she also criticizes the “reckless and impatient” demonstrators (“We believed that change could come instantly in response to our protests”). The author’s remembrance can be overly detailed and as a result meandering, although her candor—her first unbelievably awkward sexual encounter involved a knife being pulled on her—is remarkable. Furthermore, she vividly and astutely paints the horizon within which Chinese popular angst emerged—the contest between a government humbled by foreign invasion and lack of progress, and a people furious with a lack of immediate reform and swelling inequality. But the most impressive feature of the account is its unwavering circumspection—even when denouncing totalitarianism, Wang is careful to chasten any hint of strident dogmatism in her judgment: “I believe that democracy and autocracy can never coexist in harmony. I believe that democracy works better than autocracy, though in the last thirty years or so, China’s economic development seems to argue otherwise.” This is an analytically rigorous and exceedingly thoughtful autobiography that intelligently chronicles the grand forces of history without ever forgetting about the lives caught up in them.
A moving recollection of personal and national identity.Pub Date: N/A
ISBN: 978-0-9966405-7-2
Page Count: 390
Publisher: Purple Pegasus Inc.
Review Posted Online: March 12, 2019
Kirkus Reviews Issue: April 15, 2019
Review Program: Kirkus Indie
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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