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HAME

Impressive worldbuilding, but to what end?

An idiosyncratic and ambitious novel from the author of The Spoiler (2012).

“Hame” is Scots for “home.” This is a novel shot through with Scots poetry (invented by the author), interwoven with passages from the diary of a Scots poet (invented by the author), broken up by excerpts from a scholarly work on said poet (invented by the author, obviously), and studded with footnotes (referencing works invented by the author). There’s a glossary here and a bibliography. There are recipes. All of this is to say that, while the words “a novel” on a book cover can usually be read as a simple description, that phrase, in this case, is instead a rather provocative assertion. Certainly, McAfee is not the first novelist to use invented texts and scholarly apparatuses in service to contemporary fiction. Possession by A.S. Byatt is an obvious comparison. Susanna Clarke’s Jonathan Strange & Mr. Norrell and the fiction of Umberto Eco also come to mind. But Eco combines erudition with a healthy appreciation of juicy Gothic tropes. Clarke has magic. And there’s a fateful connection between the figures Byatt invents and the scholars who study them. What McAfee presents here will, perhaps, be most familiar to readers of J.R.R. Tolkien—who gives readers orcs and elves, sure, but in service to exhaustive worldbuilding. The island of Fascaray is Scotland in miniature in both landscape and history. Mary, Queen of Scots; Bonnie Prince Charlie; and Charles Rennie Mackintosh have all visited this remote place. And Grigor McWatt spent his life cataloging the place in both prose and poetry. McAfee's protagonist, Mhairi McPhail, moves from Manhattan to an island in the Hebrides because she’s writing a book about the “Bard of Fascaray” and because her marriage is over. The verse is convincing enough, and Mhairi’s study of McWatt certainly reads like an academic text. But ask an academic: how many people read their books? The sections presented from Mhairi’s point of view are more accessible, but the snarky tone is a bad fit here. While it’s easy to envision diverse readers attracted to this book, it’s difficult to imagine any reader who isn’t skimming over vast swathes of the very, very, very long text.

Impressive worldbuilding, but to what end?

Pub Date: Sept. 13, 2017

ISBN: 978-1-5247-3172-4

Page Count: 592

Publisher: Knopf

Review Posted Online: June 19, 2017

Kirkus Reviews Issue: July 1, 2017

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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LOVE AND OTHER WORDS

With frank language and patient plotting, this gangly teen crush grows into a confident adult love affair.

Eleven years ago, he broke her heart. But he doesn’t know why she never forgave him.

Toggling between past and present, two love stories unfold simultaneously. In the first, Macy Sorensen meets and falls in love with the boy next door, Elliot Petropoulos, in the closet of her dad’s vacation home, where they hide out to discuss their favorite books. In the second, Macy is working as a doctor and engaged to a single father, and she hasn’t spoken to Elliot since their breakup. But a chance encounter forces her to confront the truth: what happened to make Macy stop speaking to Elliot? Ultimately, they’re separated not by time or physical remoteness but by emotional distance—Elliot and Macy always kept their relationship casual because they went to different schools. And as a teen, Macy has more to worry about than which girl Elliot is taking to the prom. After losing her mother at a young age, Macy is navigating her teenage years without a female role model, relying on the time-stamped notes her mother left in her father’s care for guidance. In the present day, Macy’s father is dead as well. She throws herself into her work and rarely comes up for air, not even to plan her upcoming wedding. Since Macy is still living with her fiance while grappling with her feelings for Elliot, the flashbacks offer steamy moments, tender revelations, and sweetly awkward confessions while Macy makes peace with her past and decides her future.

With frank language and patient plotting, this gangly teen crush grows into a confident adult love affair.

Pub Date: April 10, 2018

ISBN: 978-1-5011-2801-1

Page Count: 416

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: Jan. 22, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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