An atmospheric excavation of an unusual woman and marriage, both intriguing and remote.
A remarkable champion of the avant-garde, unremembered by history, is rescued from obscurity by her great-granddaughters, a pair of writing sisters.
Wife of Francis Picabia, mistress of Marcel Duchamp and, later, Igor Stravinsky, close friend of Guillaume Apollinaire and many other notables, Gabriële Buffet-Picabia (who died in 1985 at age 104) was an unknown figure to her great-granddaughters, French novelists Anne—bestselling author of The Postcard—and Claire. Why was this memorable woman lost to both her family and the world? The Berests set out to explain the mystery in a curious biographical novel which traces some of Gabriële’s story, drawing on archives, interviews, and historical works. A student of music, first in Paris and then Berlin, Gabriële took no interest in men until, in 1908, her brother introduced her to Picabia, already a star of the art world. It’s a meeting of minds, “conjoined intellects,” and Gabriële inspires the artist to discard Impressionism and paint differently, in a style reminiscent of music. They marry and have four children, Picabia remaining “a flamboyant hotshot”: impulsive, promiscuous, socially voracious, nervously unstable. The novel becomes an account of this union, the art movements (Cubism, Dadaism) Picabia and his friends explore, and of a colorful, creative circle. The couple forms a very close friendship with younger artist Duchamp, who falls in love with Gabriële and folds her into his work. Similarly, writer and critic Apollinaire becomes an intimate, as do others, both in Europe and the U.S. The artistic ferment is interrupted by World War I, by which time the marriage is becoming strained. And there are glimpses of the future: Gabriële’s decline, and an explanation of the family mystery. Throughout, the authors emphasize Gabriële’s intellect, but also her preference—unlike her husband’s—for “remain[ing] in shadow.” This flavors the book, too, which extols but doesn’t fully animate her.
An atmospheric excavation of an unusual woman and marriage, both intriguing and remote.Pub Date: April 22, 2025
ISBN: 9798889660897
Page Count: 368
Publisher: Europa Editions
Review Posted Online: Feb. 1, 2025
Kirkus Reviews Issue: March 1, 2025
BOOK REVIEW
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
Brilliant, affecting work from one of contemporary literature’s masters.
A phone call from her past disrupts the tenuously reconstructed life of a concert pianist turned farmer’s wife.
We know from the beginning that Livia Cable is the battered survivor of her brother Cyrus’ death by suicide, a devastating romance, and a career-ending injury. Only 11 when Cyrus stepped in front of a train, she was already marked out as different in her rural Tennessee hometown by her extraordinary musical ability. The siblings had huddled together against their angry mother’s frequent beatings, and Livia still feels abandoned by Cyrus years later, when she picks up the phone to hear the voice of Sigurd, the fiery labor organizer she loved and lost to “the revolution” while on scholarship at the Indiana University School of Music. Now married to kind, steady childhood friend Charlie, Livia looks back on her affair with Sigurd as she struggles to deal with the recent death of her mother, a compulsive hoarder who left a house stuffed with junk to be disposed of and bitter memories that haven’t faded over time. Kingsolver skillfully juggles the two time frames to unravel Livia’s complicated feelings about the life she lost when her right hand was crushed and the life she has now as a country piano teacher. A partita, she explains to Sigurd early on, “is a composition made of a lot of parts with a lot of different moods…the artist’s work is to make them all add up to something that feels whole.” That’s precisely what Kingsolver does in this beautifully paced and judged narrative, which builds to revelations uncovered amid the piles of trash in Livia’s childhood home about the reasons for Cyrus’ suicide (clearly foreshadowed) and their mother’s rage (startling and heartbreaking). A fierce belief that great art is for everyone joins Kingsolver’s familiar preoccupations with class distinctions, social injustice, and the complex bonds of family and community in a tender denouement.
Brilliant, affecting work from one of contemporary literature’s masters.Pub Date: Oct. 6, 2026
ISBN: 9780063577541
Page Count: 352
Publisher: Harper/HarperCollins
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
