Told with brutal clarity, this is a haunting testimony about death that is filled with life.
A passionate and eloquent memoir about one woman’s battle with breast cancer.
Award-winning poet and essayist Boyer (Creative Writing/Kansas City Art Institute; A Handbook of Disappointed Fate, 2018, etc.), a single mother living on a tight budget, was diagnosed with highly aggressive breast cancer when she was 41. Her doctor (who she later replaced) said her tumor was “necrotic, which meant that it was growing so quickly it failed to build infrastructure for itself.” He recommended chemotherapy right away. Her treatment with Neulasta cost $7,000 per shot. As the author writes, “someone once said that choosing chemotherapy is like choosing to jump off a building when someone is holding a gun to your head.” Boyer looked for guidance and inspiration from other women artists who suffered from the disease, including Susan Sontag, Alice James, Rachel Carson, Audre Lorde, Fanny Burney, Kathy Acker, and Eve Kosofsky Sedgwick. Boyer kept a journal, a “minor form of reparative magic,” which she abandoned hundreds of times. John Donne’s “sickbed masterpiece,” Devotions Upon Emergent Occasions, written when he thought he was dying, casts an influential shadow over her book. Both have complex structures and are highly meditative, but Boyer’s “exercise in lamentation” is secular where Donne’s was religious. She takes us on a deeply personal journey into “my body in pain,” “eviscerating sadness,” and profound loss—eyelashes, eyebrows, toenails, nerves, brain cells, her hair. “I like wigs,” she writes. “I wear wigs. People I like wear wigs. Dolly Parton wears wigs….Medusa wore a wig made of snakes.” Eventually, Boyer had a double mastectomy. “In the capitalist medical universe in which all bodies must orbit around profit at all times,” she writes, “even a double mastectomy is considered an outpatient procedure.” She learned that everyone lies, from pharmaceutical companies to doctors and researchers and the internet. “Now that I am undying,” she writes, “the world is full of possibility.”
Told with brutal clarity, this is a haunting testimony about death that is filled with life.Pub Date: Sept. 17, 2019
ISBN: 978-0-374-27934-9
Page Count: 320
Publisher: Farrar, Straus and Giroux
Review Posted Online: June 8, 2019
Kirkus Reviews Issue: July 1, 2019
Partly a biography of ``the most influential media baron of our time,'' more a critique of that baron's stewardship of the public interest, an ambitious assemblage that falls short of a strong narrative or full indictment. Newsday reporter Maier never received access to his little- known subject—S.I. ``Si'' Newhouse Jr., ruler of a chain of newspapers, of CondÇ Nast Publications (publisher of Vogue and Vanity Fair, among other magazines), and of the Random House book publishing empire—so his portrait is understandably sketchy. After tracing Newhouse's youthful unhappiness and professional meanderings, the author gets sidetracked with more interesting characters, such as Si's ``surrogate father,'' Alexander Liberman, longtime editorial director of CondÇ Nast. There, Newhouse blurred ``the distinction between editorial and advertising,'' Maier writes, sins later magnified at the reborn Vanity Fair and the newly acquired New Yorker. The narrative then turns to Si's friendship with the notorious Roy Cohn, who set in motion what seems to be Newhouse's most glaring ethical lapse: the Newhouse- owned Cleveland Plain Dealer succumbed to Mafia pressure to retract an investigative story on Teamster boss Jackie Presser. (Like most controversies in the book, this has been reported on in depth before.) Maier moves on to the complex tax maneuvering that saved oodles for Newhouse's Advance Publications, allowing him to acquire Random House in 1980. The author recounts how Newhouse's bottom- line mentality led to the controversial firings of veteran editors and sullied the company's reputation. Profiling editor Tina Brown (who agreed to interviews), he reveals that Si had planned to pull the plug on Brown's Vanity Fair until the famous Reagan cover turned the magazine's fortunes around. Si often drops out of the narrative when it veers into lengthy but not probing reports on the personalities and internal politics of Newhouse's empire, but Maier makes the worthy point that pundits have rarely examined the way ``the nation's largest private media company'' affects journalism and culture. In the public interest, surely. But will the public, outside the media world, be interested in this mediocre effort? (16 pages of photos, not seen) (First printing of 60,000)
Pub Date: Oct. 1, 1994
ISBN: 0-312-11481-8
Page Count: 480
Publisher: Dunne/St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1994
A majestic biography of the man who shed his Ku Klux Klan robes to become one of the most influential and liberal justices in Supreme Court history. Newman (Law/New York Univ.) spent 26 years researching Black's life, and the result is a massive work of uncommon depth and grace. In subtle, luminous prose, he describes Black's merchant-class childhood in Clay County, Ala., haunted by his drunkard father; his prosperous years as ``Ego'' Black, the personal-injury lawyer whose courtroom oratory and theatrical cross-examination style brought him statewide fame and a position in the Klan; his two terms as Alabama's senator, during which he transformed himself from an intolerant populist into a power-brokering New Dealer, well-versed in ancient classics and modern politics; and his 34 years on the Supreme Court, championing the Bill of Rights and judicial restraint. Newman plainly reveres his subject, but he is clear-eyed and sometimes critical: He presents Black's various self- contradictory rationalizations for having served as KKK ``Kladd'' (whose job it is to induct new members into the Invisible Empire), then notes that Black ``never really grasped, or could admit, the genuine outrage that the Klan caused, and not only among Catholics, Jews and Negroes.'' Newman also criticizes Black's failure to grasp ``the profound meaning gathered within the Fourth Amendment's words'' (forbidding unreasonable searches and seizures). But he celebrates and illuminates the rest of the enormous body of Black's jurisprudence, which includes the ideas that the Bill of Rights applies in its entirety to the states and that the First Amendment right of free speech is ``absolute.'' The author is equally astute in analyzing Black's complex relationships with his depressive first wife, Josephine, the brilliant but libertine Justice William O. Douglas, and the devious and divisive Justice Felix Frankfurter. More than just a major contribution to Supreme Court history: a master's finely etched portrait of an American hero. (Author tour)
Pub Date: Oct. 10, 1994
ISBN: 0-679-43180-2
Page Count: 944
Publisher: Pantheon
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1994
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
