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MOOREVILLE

THE MOORE FAMILY & PROHIBITION: BOOTLEGGERS, BLOODSHED, AND THE BLACK LEGION

This book skillfully uses the struggles of a Michigan official to convey the contradictions that derailed the 18th Amendment.

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An author and playwright offers a panorama of family life in a Detroit suburb set against the backdrop of Prohibition.

Commire (co-author: Breaking the Silence, 1990, etc.) casts a Great Lake–sized net in this monumental book she completed before her death in 2012. Not only does she delve deeply into the lives of her maternal grandparents and their seven children, one of whom was her mother, in the hardscrabble town of Ecorse, Michigan, but the author also explores Prohibition, which her grandfather tried to enforce as a justice of the peace and later as police chief. The result is an almost Thomas Wolfe–ian blend of historical facts and novelistic dialogue based on Commire’s extensive research. While it may intimidate some readers with its length and density, the volume deftly captures a large slice of American life with incredible details. At the heart of the story are two principal characters—family patriarch George Moore, who presided over court hearings in the barbershop that provided his main source of income, and the community of Ecorse. Due to its location just across the Detroit River from Windsor, Ontario, Ecorse became a mecca for vice and bootleggers, including Moore’s own teenage son. At night, the author reports, “tight-lipped gangsters in face-shading fedoras or snap-brimmed hats walked the same street where children had played hopscotch just before dusk.” Commire is particularly adept at showing the paradoxes that made Prohibition so ineffective: “The Eighteenth Amendment encouraged the corrupt and contaminated the clean.” Moore was an exception to the rule of civic corruption. “What an awful time to be living,” he lamented. “All this stuff could tempt Mother Cabrini.” He also realized the futility of enforcing the law, noting that because of “all those years of loose talk” in his barbershop, “knowing what I know, I’d have to arrest half the town.” But ultimately, he got swept up in a scandal by agreeing to arrange for a bribe to a local politician to keep Moore’s son out of jail. At the end of the book, Commire’s mother remembers the town of her youth, “the promise, the pain, the laughter—mostly the laughter.” The author’s singular achievement is to bring all of that alive.

This book skillfully uses the struggles of a Michigan official to convey the contradictions that derailed the 18th Amendment.

Pub Date: May 1, 2018

ISBN: 978-0-9976458-5-9

Page Count: 586

Publisher: Onion River Press

Review Posted Online: Aug. 10, 2018

Kirkus Reviews Issue: Sept. 15, 2018

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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